Monday, December 13, 2010

Black Swan (2010)


Title: Black Swan (2010)

Director: Darren Aronofsky

Cast: Natalie Portman, Vincent Cassel, Mila Kunis

Review:

Darren Aronofsky has this incredible ability to make films that play with premises that I would normally not care about. Yet somehow, the way he weaves his tale completely pulls me, and before I know it, voila! I’m hooked! This happened to me with Aronofsky’s The Wrestler (2008). When I first heard that Aronofsky was making a movie that took place in the world of wrestling, at first I was turned off by the idea. I was like what? I freaking hate wrestling! It’s so fake! Yet Aronofsky managed to pull me in with this incredibly personal and introspective story about an aging ex-wrestler trying to do what he loves, trying to recapture his glory days. And there I was, watching a movie about wrestling. And I was completely moved by its honesty and its emotion. Now here comes Black Swan, a film about a ballet dancer. And it happened again! I was like: what? Ballet? Seriously? Still, I’ve come to entirely trust Aronofsky as a director. He has never disappointed me with his films. Ever! Was Black Swan going to be his first one? Or would he wow us again with another amazing film?


Black Swan tells the story of a New York City ballet dancer named Nina (Portman) who really wants to make it. Her dream is to play the Swan Queen in a play called Swan Lake. She tries her best to impress the director of the play (Vincent Cassel) so that she will get her chance. Much to her surprise she is actually chosen! Finally, her dreams are coming true! Now she has to learn to deal with the pressures that come with participating in such a prestigious play. In the play, she has to perform the role of two characters at the same time, the White Swan and the Black Swan. One is innocent, the other more sensual and daring, edgy. The director of the play doesn’t think Portman has enough of an edge to play the Black Swan, so he is constantly pushing her to “let go” to “live” to let the dark side of her soul emerge and run wild. This is Portman’s struggle in the film; should she continue trying her best to be the good girl her mother wants her to be? Or should she live her life the way she wants to live it? Which side will win the battle?


Once again, Aronofsky succeeds in blowing me away. Black Swan, in my opinion is another stunning work of art in Aronofsky’s repertoire. In many ways, it’s similar to The Wrestler. They are both films about the working class, struggling to do what they love. They are both films about someone loving what they do so much, that they’d rather die doing it, then waste their lives doing something else. And they are both very personal stories. On both films, we follow a character closely, to the most intimate moments in their lives. The camera plays the role of the ultimate voyeur, always looming on top of the actors face, or behind them, following their every move. The similarities between both films do not end there. Originally, what Aronofsky wanted to make was one film in which a Wrestler falls for a Ballet dancer. Ultimately, The Wrestler ended up falling in love with a whore (played by Marisa Tomei) and Aronofsky separated that story into two films deciding that it would all have been too much for one movie. So in many ways, Black Swan can be seen as a companion piece to The Wrestler.


Aronofsky once again uses that documentary style that he used in The Wrestler, where the handheld camera is active all the time, following characters around. This story focuses mainly on Nataly Portman’s character, her struggles in trying to make it professionally. This is a girl who loves dancing and wants nothing more then to really make it, she wants to get a taste of greatness, of being recognized and appreciated. What I really loved about it though was that she also has to struggle with all these things that get in her way. The over protective mother, the rivalries with other dancers and her own psychological woes. It all builds up to that climactic moment when she finally achieves her goal, and you are right there with her when she makes it, you kind of get a taste of that greatness yourself. In this way the film was similar to many of Aronofsky’s other films, where events start to build momentum, slowly rising, in a crescendo, until by the films last frames we reach this amazing finale.



The film addresses themes that I wasn’t expecting. Like for example, the over protective mother who doesn’t let her daughter live her life and be herself. And this is really where the film caught me off guard because I thought it was only going to be about the struggles of a ballerina trying to make it, about following her dreams and all that. And it does address these themes, but as it turns out, the film explores a whole other group of themes as well. This is really the story of a sexually repressed girl who is so uptight, so wound up, and so conservative that she hasn’t really lived her life. Everyone keeps telling her to “relax and live a little”. So this is a story about someone learning to let go of all these rules that she lives by and learning to just have a little fun. She is the kind of girl who says she isn’t a virgin, but her shyness when it comes to talking about sex let’s us know otherwise. What I loved most about the movie was how Aronofsky compares the duality between the Black and White Swans in the play with the battle in the ballerinas’ life between being the good girl or the bad girl. That internal struggle is externalized in the play with both of the swans representing innocence and lust. Will she ever transform into who she’s really supposed to be?


The film is very dark, and at times it felt as if I was watching a Roman Polanski film. I make this comparison because like many Polanski films, Black Swan stars a female as the central character and this female is paranoid and unstable psychologically. Aronofsky plays with the notions of Natalie Portman’s character having a double, a doppelganger, so theres always that paranoia of “is someone watching me?” Aronofksy is always questioning the main characters mental state. I loved how he used mirrors on the film to illustrate her mental instability. And though it does feel like Polanskis The Tenant (1976) or Repulsion (1965) at times, it’s also very much a Darren Aronofsky film. I especially noticed this by the way he shot everything documentary style, and also because of how the film works itself up in a crescendo, by the end of the film both music and images have completely taken over. Even dialog falls into second place in the end. The direction, the shots, the editing is flawless.


By the way, I was not at all aware of it, but this “independent” film that comes to us from Fox Searchlight Pictures (20th Century Fox’s indie minded films division) was such a huge event! Well, at least here in Puerto Rico people are going to see this movie by the droves! I had not seen a line like that one at the art house theater in a loooong time! I was trying to pinpoint exactly what it was that was attracting so many people to the cinema to see Black Swan. Could it be the awesome poster? Natalie Portman? Darren Aronofsky as a director? Then it dawned on me, people are coming in droves to see this movie because they have heard that Portman pleasures herself and has oral sex with another woman in it. I guess that’s the main draw for most people. But to those that are going to see it for that reason alone, I can say this: you might be going to see Portman pleasure herself, but you will also be seeing another diamond in Darren Aronofsky’s directorial career. I have to wonder, what’s next for this amazing director?

Rating: 5 out of 5
 
Vincent Casell and Aronofsky talking out a scene


The WrestlerThe Wrestler [Blu-ray]The TenantRepulsionRepulsion- (The Criterion Collection)

14 comments:

J.D. said...

Nice review! I am very curious to see this one. Big Aronofsky fan - I even like THE FOUNTAIN which is an unfairly maligned film, IMO. I hope to catch BLACK SWAN over the Christmas holidays - what a perfect film fer the seasons! heh.

Jen said...

I just saw this today and I kept thinking of "Repulsion" the whole time. Great review.

The Film Connoisseur said...

Thanks for the comments!

J.D.: I personally loved THE FOUNTAIN, its a film filled with symbolism. In fact, the whole third half of the film is one symbolism after another, a lot of people hate that sort of thing, but I dug it. The films themes are interesting, its a film that defies you to understand it. Plus the visuals are amazing. I hope you enjoy BLACK SWAN!

@Jen: Aronofsky has stated that Repulsion and The Tenant were both major influences in the making of this picture. Ever seen The Tenant? Its one of Polanskis craziest movies. It plays with some of the same themes as Black Swan, specially when it comes to the homosexual themes.

I've also read some reviews that compare it to Michael Powell's The Red Shoes (1948)...but I've never seen that one. I hear its about a ballerina's obsession with being the perfect dancer, and its kind of nightmarish in a way, but thats all I know. I need to check it out soon.

James said...

Great review. I can't wait to see this. Darren Aronofsky's work is amongst the most daring and provocative in recent memory.

The Film Connoisseur said...

I agree James! Hope you get to see it and enjoy it. Theres a moment in the film, almost towards the ending where I felt like bursting in applause! I restrained myself from doing so, but if I see it again, I will freaking applaud!

Its an awesome moment, it reminded me of Requiem for a Dream, those last moments when things get really chaotic and visuals and music completely take over the film.

Thanks for commenting!

Jen said...

I have never seen "The Tenant" but it is high on my list. Hope you get a chance to see "The Red Shoes"--it is an amazing film and one of George Romeros favorites!

The Film Connoisseur said...

I will be watching The Red Shoes this week, expect a review for it soon!

The Tenant is ultra trippy, it plays with this idea that society puts this preassure on us to be one way, when we should all be allowed to be who we want to be. And that preassure can drive a person nuts!

Its a very surreal film, it plays with your mind, and in this case, it plays with your mind in the way that only a Polanski film can. Its part of Polanskis "apartment trilogy" for my review of it, go to this link:

http://filmconnoisseur.blogspot.com/2010/06/roman-polanskis-tenant-1976.html

Thanks for commenting Jen!

Andrew Green said...

Great review....
I'm highly anticipating this movie, as I've been reading for months about how it's supposed to be one of the year's best. It ranks up there with Never Let Me Go on my Want To See list.

Fred [The Wolf] said...

This is a fantastic review! I dig Aronofsky. Every film he's done has always been interesting and watchable in that "thinking-man's" sort of way. I definitely want to see this and I have no interest in ballet or their dancers. Great stuff!

P.S. I think THE FOUNTAIN is underrated as well.

Neil Fulwood said...

Great review, Franco. Like J.D., I'm hoping to catch this one over the Christmas holidays. Aronofsky has proved himself, with just a handful of films, to be one of the most consistently interesting and challenging directors in America.

Let me know what you think of 'The Red Shoes' once you've seen it. Bryce at Things That Don't Suck did a brilliant analysis of the central ballet in that film recently.

Interesting that so many people in Puerto Rico seem to being going to the film for the wrong reason, but what the hell? If it opens their eyes to Aronofsky's work and they seek out 'The Fountain' or 'The Wrestler' as a result, then so much the better.

The Film Connoisseur said...

@Andrew Green: Definetly one of the years best Andrew!

@Fred: Agree, Aronofsky is a thinking mans director, his films have all been extremely cerebral. Especially PI and The Fountain. This one deals with psychologically unstable protagonist, much like Rosemarys Baby and Repulsion. Trust me man, you'll find these Ballet dancers interesting, Aronofsky makes it so.

@Neil: I dont know if thats the only reason why they are going to see it, but Im sure thats the main attraction to the film for a LOT of people, all over the world. I spoke to the lady that was behind me on the line and I told her I didnt know this movie was such an event here in Puerto Rico, to my surprise her reply was: "Its a very well made movie" and the guy next to me said "Is this like another Red Shoes?" So I guess some people here are seeing the film for the right reasons as well.

Actually, I'd say puerto ricans are a pretty film savy audience! People go to the movies in droves here!

Thanks to everyone for commenting!

Alex said...

Great review! This film blew me away and I'm still thinking about it over a week later. Definitely my favorite so far of Aronofsky's features.

Jaccstev said...

Aronofsky is up there in the top 2 or 3 directors that I have faith will consistently put out top notch stuff. So I'm super excited with this film and also can't wait to see his version of Wolverine.

The Film Connoisseur said...

@Alex: Yeah, a lot of my friends (and myself included) have had the same reaction, everybody leaves the theater affected and with a lasting impression of the film, the true sign of a good movie. Thanks for stopping by Alex!

@Jaccstev: I am also extremely happy to see that he is going to be the one directing 'The Wolverine', in this way, a good film is practically assured!

It will be interesting to see Aronofsky handling a commercial film, he has never done one before!

But in any case, it will no doubt be a step up from the last piece of crap Wolverine movie.

Thanks for commenting!

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