The Green Inferno (2013)
Director: Eli Roth
Cast: Lorenza Izzo, Ariel Levy, Daryl Sabara, Sky Ferreira, Nicolas Martinez
When a director dedicates his career to horror films the way
John Carpenter or Wes Craven did, it’s something special. Even more so today,
when in my opinion, horror films have gotten the shaft by Hollywood. The glory
days of horror films are long gone, supplanted with watered down horror for
thirteen year olds. So when a director like Roth continues to make horror films
in spite of the way horror films are being treated by Hollywood, then I pay
attention, then I applaud. I mean, technically, by making films like The Green
Inferno, Eli Roth is going against the
grain, he’s fighting for this type of film to get out there, to be seen. Like
Rock and Roll, gory horror films aren’t dead yet. I speak this way coming from
the perspective of a guy who lived through the glorious 80’s, a time when gory
horror was king in cinemas and films like Cannibal Holocaust (1980) would
actually get released in theaters! A time when Hellraiser films didn’t go
straight to video! So, is Eli Roth’s The Green Inferno worthy of celebrating?
Is it a true throwback to the glory days of gory horror?
The film is all about these activist college kids who want
to tie themselves up to some trees in the middle of the Amazon jungle, you know
to protect nature from the evil corporations who want to take the trees down in
the name of ‘progress’. To these kids, this jungle belongs to the tribes that
live in them! Problem comes when the plane they came in crash-lands in the
middle of the jungle and the college kids are abducted by a tribe of hungry for
flesh cannibals! Will the college students escape with their lives? Will they
see civilization ever again?
The Green Inferno is the kind of film you hear about for
years and years before you actually get to see it. For example, it was made way
back in 2013, and its only now, in 2016 that I finally get to see it. This type
of delayed release happens with films of this graphic nature, because major
Hollywood studios don’t really want to back this sort of film up. They don’t
even want to spend the money marketing it, because to them, these types of
films are made for a cult audience, a small niche of freaks who will
undoubtedly love it. To the rest of the world, this is a disgusting film,
worthy of rejection. And it’s true, this is the way these films are perceived
by the grand majority of people. I suggested The Green Inferno to some
coworkers, I spoke of the films connections to Cannibal Holocaust, showed them
some pics. Their reaction? The general consensus was that I needed psychological treatment. Typical.
It’s safe to say that this film is definitely something gorehounds will no
doubt appreciate, everyone else will find it too disturbing. The gore is truly
something on this one. I mean, the camera does not shy away from the
bloody bits. In this sense, The Green Inferno got things just right. Also, kudos to Roth for actually shooting in Peru, in the jungle in the middle of nowhere, it makes all the difference in the world.
But is it a good movie? I say yeah, it entertained. It
shocked. It complied with all those things you are meant to see in a cannibal
movie. My only real gripe with the movie were some situations that were
downright silly, I counted three of these situations. The problem with these
unbelievable situations is that they takes you out of the film, which is so
deadly serious most of the time. Okay, I’ll get down to it, if you don’t want
to read about this scene, skip to the next paragraph [SPOILER ALER! SPOILER
ALERT!] So the scene that was extremely silly and unconvincing was this scene
in which the young college dudes who have been caught by the cannibals decide it’s
a good idea to put a bag of weed inside of one of their dead friends, so that
when the cannibals eat her, they will all get high. The idea being that this
will give them a chance to escape. It’s not a bad idea, the problem is that it’s
not enough weed to get a whole tribe high. Worse part is they put the weed
inside of a plastic bag, which would not allow for the body to absorb it? The
whole scene just made no sense. Soon enough the whole freaking cannibal tribe
is high on weed and laughing and ha ha ha…the big payoff is of course that the
cannibals get the munchies, and kablam, there is the punch line of the whole
thing. I get it. But it was not pulled off in a convincing matter. [END OF
SPOILER] Sadly, this was not the only nonsensical moment in the film.
Roth and his Peruvian cannibals.
Though effective, The Green Inferno (2013) does not reach
the levels of tension and intensity that say Cannibal Holocaust (1980) reaches,
the latter being the most obvious influential film here. Eli Roth even includes
a list of all the Cannibal films that came before The Green Inferno in the end
credits, so it’s safe to say that The Green Inferno is a film that pays
respects to a sub-genre that has long gone; society deemed these types of films
too strong, too much. Plus, it’s hard to make money of a type of film that not
everyone has the guts to see. A lot of people can’t take seeing cannibals
eating eyeballs and tongues, even if it’s all actors and special effects, it’s
the concept that gets people uncomfortable. For example, Cannibal Holocaust was
banned in many countries, people stood up and walked out of theaters because
they just couldn’t take it, the director had to go to court to prove the actors
were not harmed or killed while filming, I mean, Cannibal Holocaust shook the
film industry back in the early 80’s. The Green Inferno feels like an afterthought
to all that, a homage every step of the way. In my opinion it needed better
actors, these characters were too squeaky clean to ever attempt anything like
this. I mean, okay, they were activists, but activists who do this sort of
thing aren’t preppy, rich kids looking for an adventure. The young actors weren’t
the best choice in my book, they didn’t feel like the kind of people who’d pull
off a stunt like this. I guess that was the whole idea, to thrust rich daddy’s
girls into the middle of hell itself, but it’s just one more element that wasn’t
pulled off convincingly. Why does Eli Roth continue to populate his films with unlikable protagonists? All that
aside, I ended up enjoying The Green Inferno, in an age where horror films are
de-horrified, or watered down, I applaud this one for being so ‘in your face’.
8 comments:
That geezer in the last picture with the bow and arrow looks like Jim Carrey.
Is it available on blu ray yet?
I guess my only gripe here, personally, is the fact one (or for those who had seen it, "THE") A-hole survived. Yeah, his former cohorts couldn't survive getting out in one piece and HE did? Naw, hopefully we get Beyond The Green Inferno (or whatever title they'll come up for a sequel) soon coz Roth has a lot of explaining to do...
Sergei: Yes it is Sergei, it's worth a watch.
Kaijinu: I hear ya Kaijinu! Let's see if they'll do a sequel, this movie cost so little it actually turned it a profit!
Did you see "the witch"? Unfortunately, it won't be shown at my country and i'm very curious about it. Is it possible for you to make a post about it?
I've heard some great things about The Witch, and I have it on my must watch list, as soon as I see it, I will be posting a review on it. It seems like its another good horror movie...finally!
I thought it was so cool in 1979 or 1980 when Ruggero Deodato arranged for a special screening of the then just completed "Cannibal Holocaust" for his good buddy Sergio Leone just before its initial and problematic release in Italy, after the screening Sergio said to Ruggero: "Ruggero my old mate, you`ve made a masterpiece but its going to get you in trouble with the entire world", Sergio was right on both counts. Similar to when Orson Welles phoned up Sam Peckinpah after seeing "Cross of Iron" and telling him it was the best war film he`d ever seen.
Cool story Mean Johnny, I remember when I was a kid and this was just hitting theaters, I kept hearing how people walked out of the theater because they just couldn't take it, the film reached very high levels of notoriety. And for good reason of course, they actually killed real animals for shock value alone, which of course was not cool and isn't done anymore in cinema thanks to this film crossing that line.
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