Showing posts with label Miguel Ferrer. Show all posts
Showing posts with label Miguel Ferrer. Show all posts

Monday, May 6, 2013

Iron Man 3 (2013)



Title: Iron Man 3 (2013)

Director: Shane Black

Cast: Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Jon Favreau, William Sadler, Miguel Ferrer

Review:

Iron Man 3 is exactly what it’s supposed to be when you take in consideration that it’s directed by Shane Black. But who the hell is Shane Black you might ask? Well, most movie buffs will know that he’s the mastermind behind the scripts for such classics as Lethal Weapon (1987), The Last Boyscout (1991), The Monster Squad (1987), Last Action Hero (1996) and The Long Kiss Goodnight (1996). Mind you, I said he’s the mastermind behind the scripts for these movies, not the direction, because that’s what Shane Black’s been doing for a large part of his career, writing awesome movies. By the way, during the 90’s, Mr. Black became Hollywood’s highest paid screenwriter! For The Last Boy Scout he got paid a cool 1.75 million dollars, the highest any screenwriter had gotten paid at the time. Then for The Long Kiss Good Night he got paid four freaking million dollars! And it was a box office failure! After that huge failure, Shane Black retracted from writing anything. Reportedly he wanted to get away from associating himself with big budget movies.  He then resurfaced into the limelight by writing and directing the fast paced action comedy Kiss Kiss Bang Bang (2005) which starred Robert Downey Jr, so it makes all the sense in the world seeing them working together again for this third Iron Man film. Kiss Kiss Bang Bang was Shane Black’s first directing gig, and it was a successful one. Now he says that directing is what really gets his panties up in a bunch, he loves it. So, here comes Iron Man 3, his second shot at directing a film, and his biggest project to date, how did it go?


Iron Man 3 picks up right where The Avengers (2012) left off, with Tony Stark dealing with the whole aftermath of saving New York from an alien invasion and traveling through wormholes and all that. Apparently, Mr. Stark cannot deal with the fact that he saved millions of lives and possibly the entire planet from an alien invasion. Wormholes, demi-gods and aliens give Stark sporadic anxiety attacks. The mere mention of anything related to The Avengers or wormholes will get him all panicky. At the same time, there’s a new villain on the horizon. One that wants to destroy America! Will Iron Man be psychologically stable enough to battle his own demons and stop The Mandarin and his minions at the same time?


Staying true to the kind of characters that Shane Black likes to write, this time around Stark is an unstable protagonist. If you’ve seen some of Blacks previous films, you’ll find that many of his stories have protagonists who are unstable psychologically, angry and on the edge. I mean, the best example I guess would be the first film he ever wrote; Lethal Weapon. On that one we meet Martin Riggs, a guy who’s a borderline psycho. A guy who is depressed because he lost his wife. Without her, his life is meaningless, he doesn’t care if he gets shot, or dies, or what. In fact, the guy is downright suicidal! Another example would be the main character in The Last Boy Scout; a private detective called Joe. His daughter hates him and his wife is being unfaithful to him with his best friend! It is sufficient to say he hates his life as well. Bruce Willis goes throughout the whole movie looking all pissed off.  And so when I see Tony Stark having nightmares and getting anxiety attacks, it makes all the sense in the world because Shane Black loves writing characters that are troubled and confounded that way. His characters are always dealing with some terrible issue in their lives that doesn’t allow them to be happy. This is the kind of Tony Stark you’ll be seeing in Iron Man 3. How blue is Tony Stark in this movie? Well, to give you an idea, the film starts out with the one hit wonder by Eifel 65 called “Blue (Da-Ba-Dee)”; that’s how blue!  


This doesn’t mean that Iron Man 3 is all gloom and doom, because let’s face it, this is Disney, and they are not about selling gloom and doom. So what we have here is a light version of a dark and gloomy guy, I know that sounds like a contradiction, but it isn’t. This new Iron Man is a classic Shane Black troubled protagonist, but he’s just not about to blow his brain out. Tony Stark, though unhinged and delicate psychologically, still retains his wits and good humor about him, as if trying to hide all these bad things going on in his head. One of the elements I enjoyed the most about this Iron Man is how it strips the character down completely. The film starts out by having Tony Stark saying in a voice over, “you know who I am” this immediately lets us know what the main theme of the film will be. The dissection of what makes Iron Man; Iron Man. Is it his suit? Is it Tony Stark? Or is it a combination of both? There are many visual indications that what the film is trying to tell us is that it’s the man that makes the suit, and not the other way around. There’s this idea behind the film that without Tony Stark, these suits would just be clunky, clumsy things. There is an interesting duality to this character: the suit represents technology and Tony Stark represents humanity and there’s this clash between the two. They are trying to co-exist with each other, but it’s not a perfect match. Well, at least not in this film. So this is why during this film you will see Tony Stark relying less and less on his suit and more and more on his cunning. This is probably the reason why throughout the whole film, Tony is jumping in and out of the suit.  


Black established a motif, a recurrent thematic element in the film and it’s Stark, the human vs. the Iron Man armor. Though the suits are helpful in many ways, on this film they are also shown to be imperfect, failing, unreliable, a hindrance to Stark; some of the funniest moments come from this. Shane Black decided to portray the suit like something similar to a smart phone, you have to charge it if you want to use it, and sometimes when you need it the most, it’s not charged! Or the battery dies. So be ready to see one of these movies that turns its main character around. It turns its once indestructible protagonist into someone vulnerable, confused and disrupt. They used the same formula that was used for Skyfall (2012), in that film the filmmakers took James Bond and made him a vulnerable mess. In Iron Man 3 they  took the character, who is usually indestructible and stripped him of all his gadgets and powers and left him with the bare essentials, no additives, no preservatives, just pure unadulterated Tony Stark. This might prove to be a bit shocking to those who expect to get their usual indestructible version of Iron Man. In fact, you’ll see more of Tony Stark then you will of Iron Man himself. Sometimes Stark will only use parts of the suit instead of the entire suit. Or sometimes he’ll be working the suit from afar, from remote control. Point is, Mr. Black purposely drew a separating line between Tony Stark and his armor.


But is the movie any fun? I say hell yea it is. Shane Black might want to show us a darker, more disrupt version of Tony Stark, but he still has to deliver the goods on the action and “wowzers!”  department. So does Iron Man 3 deliver on the action? I say the film delivers a fine balancing act between being character driven, and exploring Stark on a deeper level while also delivering the show stopping action. Case in point: the scene where they blow up Starks mansion is a real grabber. So is the one that takes place in and out of Air Force One, then there's the climactic scene that takes place on an oil rig. We get The Mandarin as the films major villain, and though he might not be what comic book fans might expect, I thought he was still cool. I would have named him something else other than The Mandarin, because he isn’t The Mandarin from the comics. Its obvious Black was playing with our expectations of the character. I don’t know why he chose to deviate so radically from what the character is supposed to be, but for some reason he avoided The Mandarin’s oriental origins and completely eschewed the ten alien power rings that he’s supposed to wear on each finger.  They didn’t even include his superhuman martial arts abilities, though he does fight good. The only thing that’s left from the comic book version of the character is that he can slice Iron Man’s suit with his bare hands; so everything in this movie is pretty much in order, save for the way they decided to portray The Mandarin. But hell, if you don't follow the comics, never mind. Then he's just a cool super villain. 


In my opinion, Iron Man 3 is the best written of the three films. It does a good balancing act between exploring what constitutes Iron Man and heavy doses of awesome action. There’s a couple of new additions as well, for example, they went the way of RoboCop 3 (1993) and added a homeless kid into the story. The kid becomes Iron Man’s sidekick for a spell; which I thought was a good idea; it gives all the twelve year olds out there a character to identify with, and at the same time, it gave Tony Stark the chance of becoming a father figure. There’s more interesting developments and surprises, but I don't want to spoil them for you. Just make sure you stick till after the credits for a little extra scene/joke that was pretty funny. The film might disappoint some hardcore Mandarin fans, maybe the film will disappoint those who want to see Tony Stark inside of the armor for 95% of the film, but for those who want to get to know what makes Iron Man tick, for those who get more of a kick from watching Robert Downey Jr. doing his thing, well, then you’re gonna love this Iron Man flick.

Rating:  4 ½ out of 5   

  

Wednesday, September 28, 2011

Revenge (1990)


Title: Revenge (1990)

Director: Tony Scott

Cast: Kevin Costner, Madeleine Stowe, Anthony Quinn, Miguel Ferrer, John Leguizamo

If you asked me which one I prefer over the two Scott brothers (Ridley Scott and Tony Scott) I’d quickly tell you that I lean more towards Ridley Scott’s style of filmmaking. It’s not that I hate Tony Scott’s films, it’s just that I enjoy Ridley Scott’s films a whole lot more because they are more cerebral and artsy, and I love artsy. Ridley’s films satisfy my brain as well as my thirst for art and spectacle. Tony Scott is the complete opposite; he focuses more on making commercial films that play by Hollywood’s rules and I enjoy Tony Scott’s films for entirely different reasons, they are crowd pleasers, they are fun and fast paced, they are action packed. Where Ridley’s films make money as a by product of the quality of his art, Tony’s films are the other way around, money making comes into the equation first. And that’s exactly what he is best at: making profitable action films. Tony is the director behind such box office hits as Top Gun (1986), Beverly Hills Cop II (1987) and Days of Thunder (1990), all big Hollywood productions with big stars and wide appeal. Sometimes, he branches out and does more experimental films; the results have been films like The Hunger (1983) and Domino (2005). And finally, if you ask me, Tony Scott is at his worst when making simplistic, vapid films like Unstopabble (2010). But most of the time, his films are entertaining and highly watchable. 

Ridley Scott Directs 

Tony Scott has also ventured into the revenge film territory. He has made two films of this variety, both of which are excellent within the revenge film genre. The first one he made is the film I will be reviewing today: Revenge (1990). His second entry into the revenge film sub-genre was the Quentin Tarantino scripted: True Romance (1993), a film I have revisited on more than one occasion. The reason why Tarantino got Tony Scott to direct True Romance was that Tarantino saw and loved Scott’s Revenge (1990). Tarantino has been quoted as saying “I’m a huge fan of that movie. In fact, that was the reason I was supportive and really tried to make it happen that Tony directed ‘True Romance’. I was like I want the man who directed ‘Revenge’ to do my movie”  In fact, the dvd cover for the unrated director’s cut of the film has a Tarantino quote that says “I consider ‘Revenge’ to be Tony Scott’s masterpiece”, so hey, Tarantino backs the hell out of this movie. And when you watch it, you actually feel like your watching a Tarantino film in many ways.


The story is all about fighter pilot Michal Jay Cochran (Kevin Costner), who’s just retired and is ready to just kick back and relax. His friend Tiburon ‘Tibey’ Mendez (Anthony Quinn) a Mexican ‘business man’ whom Jay once flew to Alaska for a hunting trip, invites Jay over to his mansion in Mexico to enjoy a couple of days of relaxation. Problem comes when Jay meets Tibey’s wife Mireya, who is a stunning beyond belief  beauty (Madeline Stowe). Jay and Mireya are immediately attracted to each other. They develop the kind of attraction that you just can’t stop. The kind of love that’s going to happen no matter what; the kind of love that can get people killed. And so the question arises, will Jay and  Mireya go through with it? I mean, if you knew the object of your affections was married to a stone cold gangster, who is also your friend, would you even think about going through with it? Well, all I can say is that if you saw Madeline Stowe in this movie, you’d understand why Jay decides to screw it all and go for her, which of course get’s him into massive amounts of trouble.

Friends or Foes?

 This movie was great for various reasons; first and foremost, it’s a great revenge film. The complications and situations that happen in this film are worthy of a Tarantino film; you almost feel like he could have written it himself. For example, just in terms of characters doing all sorts of crazy things for love, this one is very similar to True Romance (1993), yet another film in which two characters risk their lives for romance. In Revenge, Jay and Mireya fall madly (and blindly) in love with each other. Their love sets in motion a chain of destructive events; but they don’t care; they can’t seem to keep their hands off of each other. Who cares if Mireya is married to a stone cold killer? They are in love! Anthony Quinn playing the role of Tiburon ‘Tibey’ Mendez, Mireya’s gangster husband, is a real asset to the picture. Tibey seems at first like a nice kind of gangster. He plays tennis with his clients, loves his smoking hot wife and treats Jay like a son. But don’t double cross him or you’ll see his ugly side. There is this moment in which you get to know how pissed off Tibey can get: two of his henchmen attempt a hostile take over of Tibey’s operations; he quickly lets them know just who is boss. And when he discovers what’s going on between Jay and Mireya, boy, he really shows just how much of a vengeful villain he can be. The most tense scenes in the film come from those moments when you get the impression that Tibey kind of knows what's going on, but he's just toying around with Jay. You get this uncertain feeling creeping up on you: Does he know or doesnt he? Great stuff. 


 And this is where I take a chance to talk about Madeline Stowe, one of the most beautiful actresses to grace the silver screen. From the first moment she appears on screen she stuns, and the sex scenes on this film are really something else. I saw the directors cut of the film (the only version you should see of this film) and the scenes where steamier than one would expect from a Hollywood film. Tony Scott really made an effort to make this film erotic, I think it worked because I am now officially a Madeline Stowe fan. After seeing her in this film you certainly feel like this is the kind of woman you’d get yourself in trouble over. Anthony Quinn’s character asks Jay at one point “Do you think my wife is beautiful?” and Jay hesitates to answer, afraid that Tibey might get the wrong idea, but I quickly answered for him with a resounding “Hell YES!” So we got a solid cast on this one. We also get Miguel Ferrer who plays sidekick to Costners character for about half of the film, and John Leguizamo tags along in one of his very first roles ever. Leguizamo isnt really given much to do, it’s one of those roles where the actor isnt really experienced or famous yet so he doesn’t really say much. But he’s there, and he does have one cool scene all to himself. Reportedly, Leguizamo partied so much one night that he barfed on Tony Scott, which probably explains why Leguizamo hasnt worked with Tony Scott ever again. 


 My only problem with the film is the way things are resolved in the third act. The resolution didn’t gel well with a story, the kind of build up we get through out the whole film makes you think things are going to end up really badly between Jay and Tibey, but alas, things are resolved rather blandly instead. This is a trademark move from Tony Scott. While his brother often times makes films that don’t have the happy ending tacked on to them, Tony is the kind of director who actually fights to include them on his films, again showing his affinity for Hollywood style filmmaking, the mega happy ending has got to be there to satisfy the audience, so people go home happy. For example in the Tarantino’s original script for True Romance, Christian Slater’s character dies a horrible death. Tony Scott didn’t want that ending for his film, so he fought to include the mega happy ending we see in the film with Patricia Arquette and Christian Slater on the beach with their new born baby looking all shiny and happy. Revenge doesn’t exactly have a happy ending, but the main problem in the film is solved in a fashion that didn’t seem to fit the film, which kind of promises a nasty showdown in the end. But that was my only real problem with the film. The rest of it was perfect in my opinion.  


Revenge was a film that had was a hot property at one point in Hollywood, way back in 1979. You see, it took the film little more then ten years to get to the silver screen. Before it was turned into a film, it was a novella by author Jim Harrison. Once it was printed on Esquire magazine in 1979, many a Hollywood director wanted to produce and direct this project. Amongst the actors and directors who were actively seeking to direct this film were: Jack Nicholson, Kevin Costner, John Houston, Sydney Pollack, Jonathan Demme and even Francis Ford Copolla himself, but it was Tony Scott who ended up directing and he did a great job with it as far as Im concerned. It might get a little too light for a revenge film at times (especially during it's third half) but it does get pretty intense, it has some really gripping and cringe inducing moments and it’s a bit different than other revenge films because of its marked sensuality. Highly recommend this underrated Tony Scott film. 

Rating: 4 out of 5 


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