Fear and Loathing in Las Vegas (1998)

Title: Fear and Loathing in Las Vegas (1998)

Director: Terry Gilliam

Cast: Johnny Depp, Benicio del Toro, , Tobey Maguire, Christina Ricci, Gary Busey, Ellen Barkin, Cameron Diaz, Flea

Review:

Fear and Loathing in Las Vegas in one of these movies that you either “get” and love, or you don’t get and hate. I fall under the category of those who love it to death. I don’t know what it is that attracts me towards Hunter S. Thompson’s own brand of ‘Gonzo Journalism’ I think there’s something that feels so very genuine about his writing style, it just feels like he was streaming his thoughts straight onto his typewriter. The main idea behind Thompson’s ‘Gonzo Journalism’ was to experience things first hand, to immerse himself and experience whatever it was he had to write about and then write about it. He didn’t just research and write. He lived, he experienced, and he dove head first into the world he was writing about. With ‘Gonzo Journalism’ you almost feel as if Hunter was walking around with his typewriter, typing things down as they happened. For example, he lived with the motorcycle gang known as ‘The Hells Angels’ for a year. He later wrote the book based on his experiences called Hell’s Angels: The Strange and Terrible Saga of The Outlaw Motorcycle Gangs.

Hunter S. Thompson and the real Dr. Gonzo Oscar Zeta Acosta

He used his ‘Gonzo Journalism’ style for writing Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream. The main purpose of his explorations was to do a “gross, physical salute to the fantastical possibilities of life in this country”; and for that, he aimed his guns at Las Vegas, the epicenter of greed, lust and decadence in America. The result was a novel that captured the madness of what American was like post 60’s early 70’s during the Nixon era, during the Vietnam War, when all anybody ever wanted was for said war to be over. As a result of the madness the country was living in during those days, many turned to drugs to forget, to wipe their minds clean of the craziness that was going on in their country. Thompson’s novel perfectly captures this sub culture that surfaced during that time and explores what it was like to live during those chaotic days.

The film presents us with two very unique individuals: Raoul Duke and Dr. Gonzo. These two characters are the alternate personas of Hunter S. Thompson and his real life partner  in crime and attorney Oscar Zeta Acosta respectively. Together they take a trip towards Las Vegas so that Raoul Duke can write an article for Sports Illustrated Magazine on the Mint 400 motorcycle race. But in reality, Raoul and Dr. Gonzo couldn’t care less about the Mint 400. What Raoul and Dr. Gonzo are really after is finding “the heart of the American Dream”; that and experimenting with every single type of mind altering drug known to man. Will they every find The American Dream? Will they survive their drug filled journey alive?

Fear and Loathing in Las Vegas was not an easy project to get made. Let’s face it; this isn’t the kind of project that Hollywood studios are jumping to make. It’s not a commercial film at all, in fact, it’s quite the opposite. The film is an observation of an era; it attempted (successfully) to capture an era that was filled with revolt and general dissatisfaction with the way things were being done in America. On top of that, the films protagonists are drugged out of their minds through out the whole thing. Many filmmakers where at one point attached to direct this one, amongst them Martin Scorcese and Oliver Stone. For whatever reason they never got to direct the film. I have to be honest, I would have loved to see Oliver Stone’s version of Fear and Loathing, but ultimately, the film fell on the hands of Terry Gilliam, in many ways the perfect director to get this film made. Aside from the fact that many of Gilliam’s films have always had a subversive angle to them (Brazil (1984) is a great example of this) he also has that kinetic kind of crazy style of filmmaking. Hyperkinetic in nature, Gilliam’s camera movements and storytelling style have always felt to me like they come from a hyperactive child, always looking for something interesting, always walking away from boredom. This is a style of filmmaking that gels perfectly with Hunter S. Thompson equally scattershot, stream of consciousness style of writing. So Fear and Loathing in Las Vegas (the film) is the perfect marriage of two like minded individuals; Hunter S. Thompson and Terry Gilliam.

Gilliam directs Depp

But with the wrong kind of actors, this film could have fallen apart. This project needed actors that would go all the way, that wouldn’t be afraid to get down and dirty; actors that would willingly explore the darker side of the human experience. Johnny Depp has always been a champion of Hunter S. Thompson’s work and actually still is to this very day, yet another Hunter S. Thompson film has been produced by him called The Rum Diary (2011), it’s playing in theaters as I type this. How gung-ho was Depp about getting Fear and Loathing made? Well, he lived with Thompson for four months, learning his movements and mannerisms, learning how the man thought and talked. A friendship blossomed from this experience between actor and writer that lasted long after the film was made. So much so, that it was Depp who fulfilled Thompson’s last wishes of having his ashes fired out of a cannon after his death! So Depp’s dedication towards this film (and getting Hunter S. Thompson’s name out there to the world) was always there from the beginning and it shines through in his performance. Del Toro wasn’t always a fan of Thompson’s work, but he’d heard of it. Still, his dedication on this performance is obvious. I’m a huge fan of Benicio’s. Aside from the fact that he is Puerto Rican (as am I) the guy is simply put, an awesome actor. Ever seen him in 21 Grams (2003)? Wow, you need to. And if you ever have a chance of seeing him in Fear and Loathing, well, you’re going to see one his most honest and bravest performances ever.

One of the best things about this film is its comedy, I mean, if you are a fan of that sarcastic, acid style of comedy, this one is a keeper. One scene has Dr. Gonzo about to pour some cocaine on top of a suit case, and suddenly a gust of wind knocks the salt shaker from his hand and the cocaine blows into the wind and he says “Did you see what God just did to us man?” with this Mexican sort of accent and Raoul answers him: “That wasn’t God! That was you! You’re a fucking narcotics agent! I knew it!” That type of comedy knocks me over! Speaking of lines from this movie, they are highly quotable! My favorite one is: “You took too much man, you took too much!” And everybody on this movie is freaking wired, I mean, everybody does their best to act all crazy and funny, even people with a short cameo will make you laugh. It seems it was a requirement in order to be on this movie.

Visually speaking the film takes advantage of filming in Las Vegas, and all the lights and the fakeness that comes with it. Most of the film takes place inside of hotel bars, casinos, hotel rooms, out on the streets of Las Vegas and in the dessert. There’s some beautiful cinematography on this one. I would rate this film amongst Gilliam’s best, no doubts. This film is the closest you’ll ever feel to using drugs, without using them. Other films have done this extremely well for example Gaspar Noe’s Enter the Void (2009) is one of the finest examples of this (and a total visual trip of a film) but that one is very dramatic and serious, Fear and Loathing explores the same themes, but with a biting sense of humor. Final words on this one? The film explores the insanity, the desperation, the madness that comes from drug abuse. It does not glamorize drug use one bit; it tells it like it is. And on top of all that, the film analyzes why America chose to indulge in so much drug abuse during the 60’s and 70’s. Why does a nation have to resort to ignoring themselves through drug abuse? What was going on in the world at the time and how can that be avoided? Can it be avoided or are we headed towards a new similar drug era of our own? Will this generation ever know revolt? Today’s generation reminds me of a David Bowie song called ‘Sons of the Silent Age’, while the 60’s and 70’s were filled with rebellion and revolt, today’s generation seems contempt to just sit back and let the chips fall where they may. Fear and Loathing in The Modern World in deed.

Rating: 5 out of 5       

  

"That Monster's Coming Right At Ya!" Poster Gallery

976-EVIL (1988)

Title: 976-EVIL (1988)

Director: Robert Englund

Cast: Stephen Geoffreys, Patrick O’Bryan, Sandy Dennis, Robert Picardo

Review:

So 976-EVIL is a film known primarily for two things: it stars Stephen Geoffreys (‘Evil’ from Fright Night (1985)) and it was directed by Robert Englund. Now, Robert Englund is of course best known for playing Freddy Krueger on the A Nightmare on Elm Street series of films, but he’s also been known to direct a couple of horror films. So far, his repertoire includes a horror film called Killer Pad (2008) about a house that has a portal into hell in it’s basement, a couple of episodes of the Freddy’s Nightmare’s television series and the film I’ll be reviewing today: 976-EVIL. How was this, his first directorial effort?

On this film we meet a nerdy highschool student called Hoax (Stephen Geoffreys) and his cool James Dean type cousin Spike. Spike is kind of ashamed to have Hoax as his cousin because Hoax is such a super nerd, but on the other hand Hoax worships Spike and wishes he could be more like him. One day while reading a magazine, Spike stumbles upon an advertisement for a phone service that gives you your “horrorscope” for the day. Out of curiosity and boredom Spike calls and gets advice from the telephone service, but he quickly gets freaked out by it and quits calling. Unfortunately, Hoax gets hooked with the service and starts calling regularly. It isn’t long before Hoax is doing everything that the horrorscope tells him to do. What evil powers lay behind this telephone service?

Stephen Geoffreys gets Satanic! 

Well, I gotta say, this isn’t a bad little horror movie for a first time effort from Mr. Englund. This is the kind of film in which the nerdy teenager who gets beat up and harassed by  everybody suddenly gets revenge on all those who wronged him; not unlike Evil Speak (1981), Trick or Treat (1986) or Fear No Evil (1981) all of which have nerdy teenagers avenging themselves through Satanic powers. All of these movies are basically the same film, the teenager gets harassed by bullies in the first half, and on the second half the nerdy dude gets help from Satan and avenges himself. All the bullies get what was coming to them in various gruesome ways. Of course, it’s the little things that make them different. On Evil Speak, the main character connects with Satan through his computer, on Fear No Evil, the nerdy guy ends up being the antichrist, on Trick or Treat heavy metal music connects nerds with Satan and on 976-EVIL Hoax connects with Satan through the telephone service.

You mess with the bull you get the horns! 

I liked a couple of things about this movie, for example, the angle about the mother being ultra religious and treating Hoax as if he was still a child. The mother played by Sandy Dennis is depicted as a religious fanatic who watches t.v. evangelists all the time and has paintings and statues of Jesus spread out through out the entire house. She was by far the most animated character in the film, very entertaining, she’s kind of a living cartoon of an over protective/religious fanatic mother. Stephen Geoffreys as Hoax is another plus for the film, he plays Hoax as a sexually repressed young man, who has to resort to watching pictures of naked African women from National Geographic magazine to satiate his sexual curiosities; he also ends up being a peeping tom, spying on his cousin as he’s having sex with his girlfriend. He’s kind of mousy and harmless, trying to break out of his shell. Another bonus on this film is Kevin Yagher’s make up effects for Hoax’s possessed visage. We get a couple of gory moments, Hoax showing signs of possession are very subtle at first and they grow and grow as the film progresses until by the end Hoax looks full blown demonic. 

 The film has a religious themed WTF?! moment in which suddenly, out of freaking nowhere fish start falling out of the sky as if it was some sort of miracle from God. It brought to mind a similar moment in Paul Thomas Anderson’s Magnolia (1999) in which frogs start raining from the sky as if God was so angry at humanity that he performs this miracle to get them to remember he is watching. Funniest thing is that in 976-EVIL, this miraculous event doesn’t seem to phase anyone save for the religious mom who takes it as a sign from God himself. Everyone else keeps living their lives as if nothing had happened, including Spike and Hoax who saw the whole thing happened first hand. I mean, this sort of thing would make the town a freaking media event or something! But no, most of the time the town seems to be completely deserted, lifeless. Actually I liked this feeling the film had, as if the town was this desolated little town in the middle of nowhere. No people on the streets save for the characters in the film and the loose news papers rustling through the streets.

There’s these little inside jokes spread through out the whole movie. Since the movie is based on the premise that this phone service gives whoever hears it satanic powers, everything in the film is Satan related. The coffee shop is called “Dante” (as in Dante’s Inferno) the movie theater is called Diablo (Spanish world for Devil) one scene has a character about to eat a t.v dinner and the box reads “Devil Twins”. The local theater is apparently run by a group of teenagers (!!??) who have the projection room filled with posters from old horror movies like Maniac (1980) and even Fright Night (1985). In order to get your horrroscope for the day, you have to press “666” and so the Satanic inuendoes continue all through out the film, keep an eye out for them.

 The big thing about this movie is that it was the film that Stephen Geoffrey’s decided to do instead of returning as many horror fans hoped he would, for Fright Night II (1988). I’m sure a lot of you out there ask yourselves why Geoffreys choose not to reprise his extremely memorable role of ‘Evil Ed’ in the Fright Night sequel and chose instead to appear in 976-EVIL? Fright Night II isnt a bad sequel in my book, but I’m sure it would have been a bit more memorable had Geoffreys returned. Geoffreys reply to this query is that he was looking forward to working with horror legend Robert Englund, a reason that I respect. Sadly, Geoffrey’s followed one bad career move with another, Im sure many of you are already aware of Geoffreys escapades in porn. Still, I think he managed to leave two notable performances in the horror genre, Hoax from 976-EVIL being one of them.

There’s a lot of silliness in this movie, but I guess that’s to be expected in a film from the 80’s, on top of that, were talking about a film whose premise is a Satanic powered horoscope phone service? On this film, telephone booths blow up without explanation! Guys get their hands chopped off and the best thing they can think of doing is using toilet paper from a public bathroom to cover the wound! Another guy gets his face sliced and he can think of nothing better than going to play poker with his buddies afterward! The local movie theater is run by a group of poker playing highschool teenagers! Fish fall from the sky and no one thinks nothing of it! But what the hell, 976-EVIL manages to be entertaining anyways in spite of all its flaws, and that’s what really matters in the end.     

Rating: 3 out of 5