Title: Blue Velvet (1986)
Director: David Lynch
Cast: Isabella Rossellini, Dennis Hopper, Laura Dern, Kyle
MacLachlan, Dean Stockwell, Brad Dourif, Jack Nance
Blue Velvet came around the time when Lynch was trying to
bounce back from the financial disaster that was Dune (1984). Now if you ask
me, I’m one of the ones that loves Lynch’s Dune, always have and always will,
but more about that on my review for Dune! So for whatever the reason,
audiences just didn’t engulf Lynch’s vision of Frank Herbert’s Dune universe. Did
this mean Lynch was a bad director? Hell no, he’d already proven himself to be
a force to be reckoned with Eraserhead (1977) and the incredibly moving The Elephant
Man (1980), both mind blowing in their own ways. Dune was just a hiccup along
the road. Dune tanking at the box office was not going to stop Lynch from
making more movies. So, thanks to the benevolent help of producer
extraordinaire Dino DeLaurentis, Blue Velvet got the green light. The trick to
getting this film made was making it for very little. Blue Velvet was a risky
picture to commit to because it dealt with both sex and violence and it was a
very dark picture. Some sacrifices were going to have to be made if Blue Velvet
was ever going to see the light of day, and so, with everyone getting a pay
cut, Blue Velvet was made with a mere six million dollars.
On this film we meet Jeffrey Beaumont, a college kid who’s
coming back home to see his father who’s suffered from a devastating stroke.
While wandering through his old neighborhood, Jeffrey stumbles upon a human ear
decaying on the grass. Jeffrey is a good natured kid; he has a very positive,
generally happy outlook on life, you get the feeling that he hasn’t seen enough
of the world to become bitter and angry. Jeffrey is also a naturally curious
young man, so he picks up the ear and takes it to the police, who decide to
investigate further. Problem is that Jeffrey thinks he can investigate faster on
his own, so he takes it upon himself to go deeper down the rabbit hole. Where will
his investigations take him, especially considering the strange world we live
in?
Blue Velvet is all about sex and violence, and how sometimes
both of these worlds can get entangled to the point where they are difficult to
differentiate. At which point are you "roughing it up a little" during sex and at
which point does sex become sadomasochistic? Jeffrey Beaumont is a character
who is exploring his boundaries, he wants to see that dark side of life that he’s
never seen, he wants to see what’s hidden underneath, the taboos, the things no
one wants to talk about. This is one of the defining themes of this film; that
maybe the picture perfect world we see in front of our eyes isn’t as picture
perfect as we’d like to think. I loved how Lynch mixes snap shots of a suburban
neighborhood, picket fences, flowers and shinny new cars, with the horrors
that are hidden underneath it all. Here, Lynch shows society living a façade.
On the surface we see beauty, but if we look just a bit deeper, we see there
are some pretty nasty things going on in this world. An example of this is
Jeffrey, walking about this grassy knoll only to find a dead, decaying human
ear when he decides to look where he’s walking. There are many references to
darkness beneath the light in the film, for example, we see the picture perfect
neighborhood, while inside of the houses, people are watching violent mystery
stories on television, alluding to humanities allure with violence.
On the sexual side of things is where Blue Velvet really
takes off though. We are presented with Jeffrey Beaumont and his new girlfriend
Sandy Williams (18 year old Laura Dern) both of whom represent innocence and
purity. They are so pure that they can’t stop giggling all the time; they can’t
help being excited by the mystery that’s unfolding before them, like two little
kids. They learn the hard way that some things are better left alone. On Blue
Velvet, Jeffrey’s “innocence” is corrupted when he meets Dorothy Vallens, played
by Isabella Rossellini, a battered character that’s emotionally and
psychologically broken. Rossellini conveys all these emotions wonderfully
through her performance which comes off as a woman who can’t escape the
darkness she’s in, she’s gone in too deep; to top things off, she’s grown into a
masochist. This desire to get pleasure from pain comes as a shock to Jeffrey,
who’s only about caring for others. While Jeffrey asks “are you okay?” to Dorothy,
she asks him to hit her. So we have to diametrically opposed characters,
attracting each other because of their differences. Jeffrey is attracted by
Dorothy’s intensely erotic nature while Jeffrey’s tenderness is something new
to her. He’s a good natured kid getting mixed up with a damaged soul. So these two worlds are clashing with each
other, there’s no way that Jeffrey is going to come out unharmed from all of
this. Yet there’s nobility to Jeffrey. He doesn’t have to get mixed up in this,
but he does, because he feels sympathy for Dorothy. By the way, this is a very
vulnerable performance from Rossellini, she bares all in a character that’s
worth exploring.
Enter Frank Booth, one of the most evil, dark, twisted
characters you will ever meet on any film. He’s the kind of character that
comes off as truly scary, Frank will make you scared of the idea that there are
people like him roaming the world. Dennis Hopper delivers an amazingly demented
performance, very intense. He represents the worst thing that a man can become
and that’s abusive of women. And this is one of the most important questions
the film asks: “Why are there people like Frank in the world?” There's a scene where we are in the backseat of a car as Frank Booth is driving, Dennis Hopper plays it so evil that you get this feeling that you do not want to be there! Why are their
people so messed up that they have to abuse women? That they get pleasure out
of inflicting pain? Men who have to show that they are the alpha males, that
they are the ones with physical power and that they can abuse it. With Blue
Velvet Lynch once again addresses the theme of psychologically and physically abused
women. He also played with these themes in Inland Empire (2006) albeit in a
slightly more surreal fashion, but it’s in Blue Velvet that he explores them
most deeply. Isabella Rossellini is the poster child for abused women as Frank Booth
is the poster child for abusive men. I did like how not all men are portrayed
as abusive, because while Frank is all that can be evil about a man, Jeffrey is
the complete opposite. He cares for women and wants to show them tenderness and
care.
Women have always made up a huge part of Lynch’s body of
work. Twin Peaks: Fire Walk With Me (1992) is yet another film about abused
girls. Mulholland Dr. (2001) also centers on women. Same as Federico Fellini,
women are a favorite topic of Lynch’s and same as many Fellini films, an admiration, an adoration of the female is felt. There are many other elements to Blue
Velvet that will remind you that it’s a David Lynch film; the art direction,
the colors in a room, the mellow lighting, the peculiar looking lamps; that
droning sound and same as in many Lynch films, somebody singing a sad song from a
stage will always figure into the story, in this case its Isabella
Rosellini herself who will hypnotize you while singing ‘Blue Velvet’. Lynch’s love
for a good mystery is also at the heart of Blue Velvet. We discover this intricate mystery as we follow Jeffrey, deeper and deeper into this dark, dark world. Also,
there are wonderfully weird moments that will let you know you’re in Lynch
territory, like this scene in which Dean Stockwell sings Roy Orbison's 'In Dreams', wow, now that's weird! These scenes will stir emotions in you that you didn’t know you
could feel, and that’s what is so great about Lynch. He creates premises so
strange, so surreal that they’ll trigger an emotional reaction out of you, even
if you don’t fully comprehend what you are seeing. But speaking of coherence,
Blue Velvet is actually one of Lynch’s most linear films; it just goes into
really strange, dark places. But, like any good mystery, you’ll end up loving
it and wanting to see it all the way through, like Jeffrey, Lynch will turn you into a voyeur who can’t
stop watching.
Rating: 5 out of 5
8 comments:
A film that costs $6 million to make has to make $12 million just to break even, "Blue Velvet" made $8-and-a-half million in North America, so it would`ve still needed to make another $3-and-a-half million around the rest of the world in order to get its money back, i wonder if it did ?. Admittedly only another $3-and-a-half million around the rest of the world seems like an easy thing to achieve, but then again this was a David Lynch movie not a Michael Bay movie ! ! !.
This film is a masterpiece,i'm gonna pick up the blu ray soon to see the long lost scenes.
Excellent review of a masterpiece film! Along with FWWM, I think that this is Lynch at his very best. Not too abstract, but just enough to avoid incoherence (see INLAND EMPIRE). Some iconic performancees, scenes and bits of dialogue. The whole sequence in Ben's house is definitely a highlight for me. There is an unpredictable edge to it that is exciting and scary. When you first see it you really don't know what's going to happen next.
eddie: Yeah, but this kind of film also starts making its money back on home video and dvd.
James: On the dvd they have a compilation of photos of these "lost scenes", but only photos because they mention that the actualy footage might have been lost forever; but you say the blue ray is going to have the actual footage, that's freaking awesome, reportedly Lynch actually shot a four hour movie! He handed a four hour cut to Dino De Laurentis, but he was contractually obligated to hand in a two hour movie, so more than half of the film went to the cutting room floor!
J.D: Not too abstract but just enough to avoid incoherence..that's such a perfect description man. I mean Inland Empire goes beyond definition at times...it's a task to try and keep up with it.
Agree, about the unpredictability of the movie, when I first saw it and Frank takes Jeffrey on for the "joy ride" boy I really didnt know what the hell was going to happen.
The blu ray has been out for quite some time.
David Lynch is a very polarizing director, but I find his style fascinating.
JamesD: I'm new to the world of blue ray, I finally gave in and bought a player, thanks for the info James.
Maurice: That's very true about Lynch, you either love him a whole lot or you hate him a whole lot. To me he's one of the greats. I wish he'd be making more movies.
Dan Zukovic's "DARK ARC", a bizarre and disturbing modern noir dark comedy called "Absolutely brilliant...
truly and completely different..." in Film Threat, was recently released on DVD and Netflix through
Vanguard Cinema (http://www.vanguardcinema.com/darkarc/darkarc.htm), and is currently
debuting on Cable Video On Demand. The film had it's World Premiere at the Montreal
World Film Festival, and it's US Premiere at the Cinequest Film Festival. Featuring
Sarah Strange ("White Noise"), Kurt Max Runte ("X-Men", "Battlestar Gallactica",) and
Dan Zukovic (director and star of the cult comedy "The Last Big Thing"). Featuring the
Glam/Punk songs "Dark Fruition", "Ire and Angst", "F.ByronFitzBaudelaire" and a
dark orchestral score by Neil Burnett.
TRAILER : http://www.youtube.com/watch?v=mPeG4EFZ4ZM
***** (Five stars) "Absolutely brilliant...truly and completely different...something you've never tasted
before..." Film Threat
"A black comedy about a very strange love triangle" Seattle Times
"Consistently stunning images...a bizarre blend of art, sex, and opium, "Dark Arc" plays like a candy-coloured
version of David Lynch. " IFC News
"Sarah Strange is as decadent as Angelina Jolie thinks she is...Don't see this movie sober!" Metroactive Movies
"Equal parts film noir intrigue, pop culture send-up, brain teaser and visual feast. " American Cinematheque
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