Director: Tony Randel
Cast: Doug Bradley
Hellbound: Hellraiser II is the first sequel to Clive Barker’s Hellraiser (1987), it was made immediately after the first one became a huge hit in theaters. Personally, I think that the reason why these films were so successful is Clive Barker’s personal involvement in them, and the universe that he created. The idea that if you dug deep enough, and read the right books, you could end up with something like the Lament Configuration in your hands. That idea that if you wanted it bad enough, maybe, just maybe, you could find the gates to hell itself. Intriguing stuff in deed! Me personally? I enjoy these first few Hellraiser movies because they are fantasy/horror films for adults, they are dark, gory, yet retain that feeling of fantasy to them, that feeling of the impossible, the unreal, the fantastic. The only problem for me with these movies is that its ideas are sometimes bigger than their budgets.
Welcome to hell!
The idea of the gates of hell being slammed open isn’t all that new, Lucio Fulci himself tackled these themes in The Beyond (1981), Fulci’s best movie in my humble opinion. But, while in Fulci’s The Beyond opening the doors of hell brought forth hordes of flesh eating, maggot spewing zombies, on the Hellraiser films , solving The Lament Configuration means bringing forth The Cenobytes. Beings who enjoy bringing pain into your life, if you desire it badly enough. The Hellraiser films play with the idea that pain and pleasure aren’t really that far apart. That if you have one, the other is not too far away. It’s a story filled with lust, revenge and betrayal. It is a story about people willing to kill for their passions.
One of the few female Cenobites
Hellbound: Hellraiser II has a certain continuity to it. It starts out with a recap of what happened in the first film. Kristy Cotton, the female protagonist from the first film who ends up sending the Cenobytes back to hell is in a psychiatric institution. She is pretty shaken up by the events she witnessed in the first film. Problem is that nobody believes her stories about demons from another dimension; everybody thinks she has pretty much lost it. Everybody except Dr. Channard, a psychiatrist who just so happens to work in the same psychiatric insititution that Kristy is staying in. And it just so happens that Dr. Channard is an expert on The Lament Configuration! He is eagerly awaiting his chance to go to hell himself! At the same time, Kristy is set on going back to hell herself so she can rescue her father. Will Kristy ever rescue her father? Will Dr. Channard ever get to experience the dark delights that hell has to offer?
The problem with this sequel is that its story is a muddled mess. This was something that never happened with the original. No matter how crazy things got in the original film, the story always made sense, everything eventually falls into plays with the first Hellraiser film. Not so with this sequel. The films main premise is that Kristy is willing to go back to hell to rescue her father from the clutches of the Cenobytes, but unfortunately, the film never really follows that idea to its completion and it disintegrates into something else entirely. Suddenly the film is about Dr. Channards desires to go to hell and become a powerful Cenobyte himself. Suddenly, the film is a stand off between Dr. Channard and Pinhead, battling over who gets to “take over this operation”. So in the beginning, apparently the film is about Kristy rescuing her dad, and then in its second half, it turns into something else entirely. It does get kind of confusing at times.
Pinhead's new adversary
Not that I didn’t like the fact that Pinhead is suddenly faced with a little competition. I thought it was cool to have someone challenge Pinhead, and that this challenger is actually a worthy opponent. And the battle does turn into a display of gruesome carnage which any fan of gory horror films should enjoy, but what happened to rescuing dad from hell? This storyline was practically completely dropped from the film, as if half way through somebody suddenly decided to change the story. Apparently, that is exactly what happened. The actor who played Kristy’s dad (Andrew Robinson) didn’t want to return to for this sequel because New World Pictures didn’t want to pay him enough for his services. So he said bye bye to the franchise. As a result of Andrew Robinsons departure, last minute re-writes turned Hellraiser II’s script into the mess that it is. It feels unfocused and all over the place.
The highlight of any Hellraiser film is of course when characters go into hell. And we get quite a lot of this in this movie. In the Hellraiser films, hell is a series of dark passages inside of a gigantic labyrinth. Its also composed of a series of crumbled buildings, with many hallways and stairways to get lost in. That’s fine and dandy, and spooky, but what the hell is that floating diamond called The Leviathan? One of the characters explains that The Leviathan is “her god” and that she worships it, but just what the hell is it? This is just one of the many things that don’t make much sense on this film. While watching it you might get the feeling that at some point you are going to get the answers to everything, and that if you simply accept what is happening at some point it will be explained. But that never happens. At one point I simply gave up trying to figure things out and simply went with the crazy visuals. On this level, there is some enjoyment to be had with this film. The crazy gory, horror fantasy visuals always entertain and never bore.
Hellbound: Hellraiser II has many flaws going for it, but it also has its moments. The story might be a mess, but I personally find the whole Hellraiser mythology interesting. I think this is definitely a series of films that could benefit from a remake. A new take on this universe could try and develop a story that plays with the same mythology but in a more comprehensible manner. But things aren’t all bad with Hellraiser II. The film does have its show stopping moments, like the scene where a psychiatric patient cuts himself up with a blade, and the whole sequence where Julia finally escapes from hell, in all her gooey slimy glory. Those scenes with characters coming back from hell without any skin on make me rank this film and the original one as two of the goriest movies of all time. We get to see a little bit of Pinhead's past and who he used to be before he became a Cenobyte. There are quite a few nightmare sequences that stand out and are adequately surreal and incomprehensible. I’d say if anything, this film captures the madness and darkness of Clive Barker’s mind. If only it made a bit more sense!