Showing posts with label Roy Scheider. Show all posts
Showing posts with label Roy Scheider. Show all posts

Tuesday, June 25, 2013

Naked Lunch (1991)


Title: Naked Lunch (1991)

Director: David Cronenberg

Writer: David Cronenberg (script) and William S. Burroughs (novel)

Cast: Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Joseph Scoren, Monique Mercure

Review:

Naked Lunch is a film that many consider to be incomprehensible, the kind of film that some will watch and inevitably reach a point where they’ll think “what the hell is going on here?” I can understand anyone who ends up feeling this way while watching Naked Lunch because it certainly has various levels of bizarreness going for it, but in my opinion the film is not the unintelligible mess that some make it out to be. Personally I think you can watch Naked Lunch as a comment on drug addiction and nothing more and you’ll be fine, but you’d understand the movie on a whole other level if you go in knowing and understanding the films background, where it’s coming from and how it came to be. So with this review my dear readers I offer you a small glimpse of the tale that comes before the movie, so it’ll help you understand it just a little better. But going into Naked Lunch what you must first keep in mind is that it’s a film about writers and writing. It’s a film that explores that whole world of literary guys and gals who live, breath and die for writing. As one of the characters says in the film: "It's a literary high, a Kafka high" 


Naked Lunch the film, is based on William S. Burroughs novel of the same name. Now Naked Lunch isn’t any old novel, it was written by Burroughs in 1959 and it is based on Burroughs own experiences with various forms of drug addiction. Upon it’s first release the book was considered highly controversial, it was banned in many states and countries because it was considered too vulgar.  Burroughs was a Junkie in the worst sense of the word. He was not only addicted to Heroin, he also dabbled in all sorts of drugs. He got into all sorts of legal troubles throughout his life because of his drug addiction, he even did some jail time. In a way, I’d compare him with Hunter S. Thompson; both of their writings where based on their own personal experiences with drugs. It’s like they went into this crazy drug addled trip and then came back and reported everything they saw in their hallucinatory states. This is why in the film; the main character takes a drug that takes him to an “alternate universe” called ‘Interzone’. Being “in the zone” is a term often times used to refer to being under the influence, so in the film, whenever the main character says he’s in Interzone, he’s in a drug trip. In the same way that Dorothy visited the magical Land of Oz when she got hit in the head, William Lee, the films main character visits Interzone when he takes the drug called ‘Black Meat’. So you have to pay attention to the moments when we are in Interzone, and the moments when we are in the real world.


I saw Interzone as Burroughs own literary fantasy land, where everyone is a writer, everyone has their own living typewriters; that’s right, on Interzone typewriters are alive (actually they resemble giant insects!) and they also speak. The typewriters in Interzone are sexually excited when they like what you type into them. Of course, this is a metaphor for a writers own desire to write things that are worth a damn. In Interzone, if your writing is good, maybe your typewriter will have an orgasm. The theme of writing and the things that writers care about permeates the whole film. In this film characters talk about things like the validity of stream of consciousness writing vs. a more coherent form of writing. They talk about writing what comes out of your brain, vs. constant rewriting and so forth. So if you’re not into writing, then don’t bother with this film! If on the other hand you like to explore the nature of writing, and the crazy world of writers, then indulge, this movie was made for you.


Now something that we need to keep in mind when watching Naked Lunch is that it’s more of a Cronenberg film then an actual adaptation of William Burrough’s novel, so don’t expect a literal translation of the book. Cronenberg himself has gone down as saying that this film functions more as an amalgamation of many of Burroughs novels, including Junkie, which is also one of his most famous ones. Cronenberg explains that Naked Lunch the film, captures a lot of who Burrough’s was as a human being, it tries to capture the kind of life he lived, which is probably why the film dives deep into the life of a man who struggles with his own homosexual desires. Other similarities with Burroughs life include, same as the main character in the film, working as an exterminator, being addicted to various drugs and accidentally killing his wife, an event that marked Burrough’s life and writing till the end of his days. In fact, he said on one occasion that it was her death that pushed him to become an accomplished writer. So do not expect an exact literal translation of the book, rather, expect a mix up of events and elements from Burroughs life, elements from various Burroughs novels and Cronenberg’s own visual perks as a director and storyteller, for example, the insect typewriters are all Cronenberg, who admits to having something of an obsession with insects, what can you expect from the guy who directed The Fly (1986)? In my opinion, this melding of two genius minds makes for an extremely interesting and unique film, one that you won’t soon forget.


Naked Lunch cost something from 16 to 18 million dollars, but only made about 2.6 in theaters, something to be expected from a film that’s so offbeat. I sometimes wonder how David Cronenberg continues to make movies! Sure he has a hit every now and then, like The Fly (1986) and A History of Violence (2005), but a lot of his films don’t make their budget back or don’t make enough to be considered a success, so how does he do it? He makes flops yet always finds someone to finance his next one. Take for example Cosmopolis (2012), a film that cost 20 million to make yet only made 6! It flopped because it was so dense, so stale, 90% of the film takes place inside of a limo! I’m not saying I didn’t like Cosmopolis (I actually enjoyed the themes) but I will say that it’s not an easy film to see on one sitting because everything happens inside of a car and there comes a point where you can’t avoid thinking it’s monotonous; a fact that ensured its failure even though it starred current ‘it’ boy Robert Pattinson. And yet there’s Cronenberg, slated to direct yet another film called Maps to the Stars (2014). But who cares if they make money or not as long as he keeps making his movies. I’ve always admired Cronenberg as a director, in my opinion, he has never sold out. He refuses to make stupid cinema, and for that I respect the guy immensely. Cronenberg caters to those that like brainy films, films with meat to them, this of course does not sit well with the masses who love only explosions and special effects. Cronenberg aims to feed your mind, his films always have a philosophical angle to them, which is what attracts me to them.

Cronenberg (right) next to Burroughs
     
Naked Lunch is a film that speaks in symbolisms, so when you see something terribly strange like a person who kills bugs with his breath, well, you just gotta ask yourself what the filmmakers are trying to say with these visuals. Same goes for all the bizarre things you’ll see in this movie which range from giant half caterpillar, half human creatures, to alien like beings known as ‘Mugwumps’. But when we look at it from a Cronenberg perspective, and the kind of films that Cronenberg makes, all this weirdness fits in perfectly, after all, we’re talking here about the guy who made films like Videodrome (1983) and eXistenZ (1999)! Bottom line with this movie is that you must strap yourself tight for one bizarre trip. It’s not a film for everyone. This is a film for those who have a resistance to the bizarre, the dark, the depressive, if you can take a trip to the dark side of the moon, then go for it. Otherwise you’ll just be weirded out.

Rating: 5 out of 5



Friday, December 4, 2009

Sorcerer (1977)


Title: Sorcerer (1977)

Director: William Friedkin

Cast: Roy Scheider, Francisco Rabal

Review:

William Friedkin was having the time of his directorial life back in the late 70s. He had just made two back to back hits, The French Connection (1971) and The Exorcist (1973). What would his next project be about? Well, he decided to go with the remake of a French film called The Wages of Fear (1953). He decided to call it “Sorcerer”. Audiences were pumped to see this film because they thought that since this film came from the same director who made The Exorcist, and it was called Sorcerer, everyone thought the film was going to be about the supernatural. Audiences were expecting to be as shocked as they were when they saw The Exorcist. Unfortunately, Sorcerer was the furthest thing away from being about the supernatural. Friedkin said the title refers to fate; fate as the ultimate Sorcerer in our lives. According to Friedkin, he was referring to the fact that we have no real control about what happens in our lives. We don’t control where we are born, or when we die. Also, one of the trucks in the film is called 'Sorcerer'. But what was the film really about?

 Wages of Fear was the french film that Friedkin was remaking

Sorcerer is about these four low life scumbags who for different reasons, end up running away from their respective countries and hiding out in a small town in the middle of a rainforest, in a remote village in Venezuela. While there, they try to survive getting low paying jobs, but pretty soon they realize that life on this country is not worth it, so they want out. Unfortunately, nobody has enough money to get out of the country, the jobs don’t pay that well, and what little money you do get, the dirty police force takes part of it. So in essence, these four strangers are stuck in this country out in the middle of nowhere. As fate would have it, a gas leak has sprung 300 miles from their town, and a constant column of fire is emerging from the ground, threatening to destroy the village and cost substantial amounts of money to an American oil company that has set up shop there. So the company decides that the best way to get the raging fire to go out is by exploding it with some dynamite.  Problem is the only dynamite sticks that are available sit 300 miles away in some other town, and these dynamite sticks are so old they have begun to leak nitroglycerine! So the company decides to do a search for the best drivers in town. Whoever can demonstrate some ability behind a steering wheel gets chosen. Lucky the four foreigners get chosen to go across the jungle to transport the dynamite, they must get there before the raging fire destroys the town! Problem is, if the nitro shakes too much or if even a drop of it falls on the floor, they will be blown to smithereens. Will they make it in time to stop the fire and get their payday of 10,000 dollars each? Can they drive the truck across the jungle without it blowing up?



The first thing I noticed about this movie was how simple it was. Basically, the film is just about four desperate guys trying to make it across the jungle in two trucks, without blowing up the nitro. That’s it. They movie expands a bit when we get to see the back stories of each of the characters in the first half of the movie. We get to see who they were and why they are running away to Venezuela. The first half of the movie let's us see how all these stories connect. The second half of the film concerns itself with the trek these four strangers have to go through across the Venezuelan jungle. Once these guys begin their trek, that’s when the film really turns interesting.



Sorcerer is all about getting you worked up about the dynamite blowing up. Will these guys make it across the dense jungle? When we see where they have to travel through with these trucks, it becomes evident early on that this trek is going to be a seemingly impossible one. But these guys are desperate, they need the reward money, they need the permanent citizenship, so they go through with it. In this way, the film reminded me a whole lot of Werner Herzog’s Fitzcarraldo. First, because like Herzog, Friedkin shot this film on location in various different countries to get everything to look authentic. He shot in Jerusalem, France, Mexico, New Mexico, New Jersey, and Dominican Republic. Second, the gargantuan task these guys have to complete is similar to that of Fizcarraldo wanting to pass his boat through a mountain in Herzog’s film. These similarities are evident in the scene where they have to pass the trucks through an unstable bridge which feels like its about to collapse. In fact, even the poster for Sorcerer is similar in nature to Fitzcarraldo’s poster. And just like Fitzcarraldo in Herzog’s film, these guys won’t give up no matter what. So if you ask me, there’s a possibility that Friedkin’s Sorcerer might have influenced Herzog’s Fitzcarraldo.



One of the best things this film has going for it is its atmosphere. Once the trucks get going down the forest, the film offers us impenetrable forests, raging thunderstorms, hard rain, mud and dirt! The scene in which the truck is crossing the bridge is awesome, because its raining literally buckets of rain! The river is overflowing, the bridge is about to collapse, the truck is swinging left and right, it’s an awesome sequence. A level of surrealism nearing the end of the film took me by surprise. When Roy Scheider sort of goes crazy and begins to hallucinate and see things. That scene was a nice surprise. All in all, this movie has lots of style, lots of atmosphere, laced with a simple yet effectively told story.



The one negative point I have about the film is that it has some loopholes. For example, it is never explained why they need to use these specific sticks of dynamite. I mean, couldn’t they just buy other cases of dynamite somewhere else and just fly them there by plane or something? Why do they have to go through such lengths to use these specific sticks? It didn’t make sense to me at all that these guys were risking their lives in such a way for a couple of cases of dynamite that could have been bought somewhere else. I mean, was this American Oil Company so cheap that they couldn’t do that? Especially when their fuel is burning so profusely? But whatever, if they had done that, we wouldn’t have a movie. I just wish they had explained, or given some sort of excuse as to why they had to risk their lives to do this, when they could have just as easily solved the problem in a more simple fashion. It seems like lazy storytelling to me.



But all in all, this film is excellent. It’s got Friedkin’s excellent direction. He really wanted us to feel the griminess these guys were living in. He wanted us to feel the blood, sweat and tears that these guys spent while trying to achieve their task. But most of all, I liked that spirit of not giving up against the tough situations that life hurls at us along the way. It’s all about finding a way to go around the problems, solving the situation instead of lingering in despair and giving up. No matter how impossible things may seem. Though in the end, our fates are unpredictable and disaster could strike at any given moment, what matters is that for as long as we can and while we are alive, we must never give up in the face of disaster.

Rating: 4 out of 5

SorcererThe French Connection (Two-Disc Collector's Edition)The Exorcist (The Version You've Never Seen)

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