Showing posts with label Christopher Nolan. Show all posts
Showing posts with label Christopher Nolan. Show all posts

Monday, September 21, 2020

Tenet (2020)


Tenet (2020)

Writer/Director: Christopher Nolan 

 

Cast: John David Washington, Robert Pattinson, Elizabeth Debicki, Kenneth Branagh

 

Christopher Nolan has always had this air of pretentiousness about him as a director. By that I mean that he makes movies that don’t spell things out to audiences and he makes no apologies about it. Either you are smart enough to “get it” or you’re a dumb fuck who has to play catch up with the rest of the smarties. I mean, all his movies are like this. Inception (2010), Interstellar (2014), hell, even his take on Batman had that air of smarty pants about it. Me? I always found his movies wanting to appear smart, but truthfully just hiding behind a lot of meaningless dialog disguised as intelligence. Okay, I’ll admit it, I’m not a Nolan fan. His movies feel like a giant asshole of a film snob made them, you know the kind that won’t talk to you because you don’t know who Jodorowsky or Kubrick is? You don’t deserve to “get it” if you’re not on his level, if your're not in ‘the know’. 



That’s how Tenet feels. It’s as if Nolan said I’m gonna brush up on my time travel and quantum physics and then I’m going to make everyone feel like an idiot for not getting it. This is his most pretentious one yet folks! His attempts at getting us to understand what the hell is going on in the film are feeble. I mean, how do you know this is a convoluted film? When a scientist whips out a white board to explain something to us that’s how. Last time I saw that was in Back to the Future II (1989), when Doc Brown attempts to explain alternate timelines. Tenet feels like this one time I took a university class, but the professor was a shitty professor who didn’t care if you understood what he was teaching or not. I remember raising my hand an asking “this is an introductory class?” I mean, I could attempt to explain to you what this three hour movie was about, but I tell ya, for most of its running time I had a sand grain of an idea of what this movie was about!
 



I had reached the hour and a half mark of the film (halfway through) and I was still screaming in my head “what the hell is this movie about?!” I was frustrated it. But then came an action scene and I was wowed. I mean, there’s no question about it. Nolan can orchestrate an impressive action set piece. And here I counted about three or four of them, and true they were amazing, but I didn’t really know what we were fighting for. Who where these guys working for? What are we doing here? Oh but it looks awesome, looky, everything goes in reverse! I’m not gonna lie, those time travel sequences, where things are going in reverse except the main characters were cool to look at. 



And I get it when directors don’t want to spell things out. It’s supposed to be a good thing. Because it means the filmmakers aren’t taking us for granted. I can accept this to a degree, but come on, any filmmaker must understand that you have to explain things in an understandable fashion to your audience so they can come along for the ride. So they can buy into your logic. This can be done without spoon feeding your audience. But Nolan’s way is no explanations given. About half way through you’ll be saying “dear god, I better start getting it soon because its been two freaking hours already!” Now here’s the deal with Tenet, even though I was frustrated as hell and I just wanted for everyone to stop talking all this white noise bullcrap, I stayed glued to it till the end. I didn’t get up and walk out, though the idea did pass through my mind. Did I get what the movie was about when it reached its end? Well, sort of. It was about girls right? Kidding.
 



Bottom line is, if you survive that boring ass first hour were people are endlessly talking about things you won’t understand and in various accents (I counted about 5 different accents) then maybe you will by the end of its running time have a mild inkling of an idea of what this film was about. Time travel, destroying the world….and that’s about it for me. Um, I don’t even know what ‘Tenet’ means! Here, here, I know what you’re thinking. This guys an idiot, he’s one of the ones who “don’t get it”. Well, anyone who knows me can tell you that I love dissecting movies and hidden meanings and symbolisms in films, which is precisely why I was so frustrated with this one. So to sum things up, this is not a bad movie, it has its extremely entertaining spots, but it certainly will defy you to understand it. It warrants more than one viewing. It reminded me of the first time I watched The Big Lebowski (1998) or Inherent Vice (2014), films that you’re not supposed to try and understand from a first viewing. Your supposed to enjoy the shenanigans, not the meaning. These are movies your meant to understand after seeing them for a tenth time. Who knows, maybe years down the line I’ll be like “what a bafoon I was, I totally get it now!” But upon my first viewing I have to say that Tenet was an extremely frustrating film that had some very entertaining and awesome action set pieces. Good luck ‘getting it’ my friends! 



Wednesday, December 17, 2014

Interstellar (2014)



Interstellar (2014)

Director: Christopher Nolan

Cast: Matthew McConaughey, Anne Hathaway, Michael Cain, Jessica Chastain, Wes Bentley, John Lithgow, Ellen Burstyn 

I’ve always been interested in the far reaches of space, because to me, it’s out there where the greatest mysteries lie. Where does the universe end and what is out there in the vastness of space? And of course, the big one is: are we alone in the universe? I can go on and on formulating questions about space, because that’s all it is, one big question, one gigantic mystery. Which is why I love movies like Interstellar; they play with the idea that the universe begs to be explored. Why the hell isn’t an effort being made to truly explore the universe? Why isn’t a huge spaceship being built for humans to travel through space for long periods of time like in Star Trek or The Black Hole (1979)? I mean, I don’t think that idea is that farfetched. Instead, as of 2014, funding has been cut for NASA, so there’s less of an interest in space exploration, at least from the government’s point of view. Their logic is being that we have more pressing problems to deal with down here on earth; space exploration isn’t really a priority for the United States right now. Sigh. But anyways, at least we can toy with the idea through films like Interstellar.


On this film earth is being ravaged by dust, huge dust storms are engulfing the earth and its becoming mighty hard for humans to live here, everyone is getting sick, coughing, dying. But worry not! The scientists at NASA have discovered a black hole near Saturn. They've sent astronauts through it and discovered that said black hole can lead us to another part of the universe with 12 possibly habitable planets.  But all connection with these astronauts has been lost, and so NASA has decided to send a second mission to see if they can reconnect with these lost astronauts and at the same time explore the planets, to see if it is at all possible to start life in them. Their ultimate goal is to save the human race from extinction. Is this mission a one way ticket to hell? Or will the astronauts get to come back home to their families? Is humanity destined to disappear?


I’m a huge science fiction buff, and while watching Interstellar, I couldn’t help and notice how much the filmmakers borrowed from Arthur C. Clarke’s novels. You see, it just so happens that I’m a devout Arthur C. Clarke reader, I’ve read a lot of his work and well, I just couldn’t help seeing how the guys responsible for Interstellar borrowed heavily from Arthur C. Clarke’s 2001: A Space Odyssey, 2010: Odyssey Two, 2061: Odyssey Three and 3001: The Final Odyssey. They even borrowed a bit from the ‘Rendezvous with Rama’ novels, especially when it comes to a cylindrical spaceship that has an artificial sun and an entire community living in it. Landing on a planet made up of a gigantic ocean was seen in 2061: A Space Odyssey, the idea of a man from another era waking up years later to encounter an evolved humanity was swiped from 3001: The Final Odyssey. The robots in the film, which look like walking, talking monoliths are a big wink to fans of 2001; but this was all done purposely, it is quite obvious that Nolan has a hard on for Arthur C. Clarke and his works, so when you watch Interstellar, expect a film with Arthur C. Clarke’s DNA engraved deeply into it.


And it’s not just from Arthur C. Clarke’s books that Nolan borrowed heavily from, he also took a bit from  Stanley Kubrick’s 2001: A Space Odyssey (1969), both films are similar in structure. We have super intelligent computers able to think for themselves, we have astronauts going up into space to explore a mystery, we have that whole idea that we are going to be entering and exploring a place never before seen by humanity, “boldly going where no man has gone before”. We even get a scene like the scene in 2001 in which David Bowman goes inside The Monolith and the film turns into this visual trip. So yeah, both of these films share many similarities, there’s even some visual references to Kubrick’s film, but I’ll let you guys spot those.


The biggest mystery in Interstellar is of course, the black hole which the astronauts must traverse. Black holes have always been a mystery to me as well; at one point I started to ask myself, are these things real? I mean, sure we've all heard about black holes, and most of us believe they exist, but has anyone actually ever seen an actual black hole? No, we haven’t. We simply have an idea of what it could be. Much like in 2001: A Space Odyssey, where we have this strange and mysterious monolith floating up in space, we also have a strange space anomaly in Interstellar: the Black Hole. From what I hear, Nolan enlisted on the help of a physicist in order to get the whole concept of black holes and worm holes as accurate and scientifically correct as possible. From a visual angle, the whole black hole/worm hole thing looks fantastic, it is obviously a highlight of the film. On the other hand, when the film starts talking about fourth and fifth dimensions, relativity theory and multiverses, things might get a bit convoluted for some, but you won’t be able to deny that visually, it’s stunning. I did manage to hear an “I don’t get it” from the audience.


As far as entertainment value goes, well, there’s lots of spectacle here, but let me tell it to you straight, this films emphasis is on teasing your brain, it’s more of a cerebral picture, it likes to explore ideas hardly explored, it likes to go places we haven’t been before. I mean, sure we’ve seen movies that depict black holes before, for example The Black Hole (1979) and Event Horizon (1997), but none of these movies have shown us a scientifically accurate portrayal of one, and here we got Interstellar to do that. The movie is a love letter to Arthur C. Clarke, and really there’s no better sci-fi author that Nolan could be ripping off from. What I would like for Christopher Nolan to do, because it seems to me after seeing Interstellar that he’s one of the most qualified to do it, is direct a film based on Clarke’s Rama novels. Now those movies really do tackle the mysteries of the universe! A movie based on ‘Rendezvous with Rama’ has been planned for years now, but as I type this, it’s still in development hell. So anyhow, what we got here my friends is one of the best films of the year, if you enjoy films that dabble in philosophy and the mysteries of the universe. Me? I’m a sucker for the mysteries of the universe because if you ask me, it’s those big mysteries we should always aim to know more about. 


Rating: 5 out of 5


Thursday, July 26, 2012

The Dark Knight Rises (2012)


Title: The Dark Knight Rises (2012)

Director: Christopher Nolan

Written By: Christopher and Jonathan Nolan

Cast: Christian Bale, Anne Hathaway, Marion Cotillard, Tom Hardy, Gary Oldman, Joseph Gordon Levitt, Morgan Freeman, Michael Caine, Matthew Modine, Cillian Murphy

Review:

The Dark Knight Rises is an event movie, the kind that comes along rarely, not only because of the excitement behind seeing this final installment of the film, but also because of the tragic events that surrounded the premiere of the film. As most of the world already knows, On July 20, 2012 in a Century 16 Cinema in Aurora Colorado, a psycho by the name of James Eagan Holmes entered a theater during the premiere of the film and while wearing a gas mask, threw a smoke bomb into the theater and started shooting randomly at people who where there simply to enjoy the latest installment of the Batman franchise. He managed to kill 12, and injure 58 others. What was he trying to say by doing this? What was his purpose? Did he hate movies or people going to see them in droves? Whatever was running around that guys head, he was seriously disturbed. Did he feel he was one of the villains in the Batman films? Did he not learn to differentiate between reality and fiction? Between entertainment and real life? Whatever the case, this disturbed individual probably had a half-baked idea of what he wanted to say swimming around his brains; all villains do.

James Eagan Holmes; getting what's coming to him

You see in films, the villain is commonly used as a way of pointing towards something that is seriously wrong in the world we live in, and the results that this ailment can bring upon society. Take for example ‘The Joker’ in Nolan’s The Dark Knight (2008). In that film the character was angry at the importance that the world gives to money, and how the society we live in revolves around it. One scene has the joker burning a mountain of money simply to show how little he cares for it; and he burns it with gasoline, just to be poetic and comment on how oil and money are entwined in the world we live in. The Joker pitted people of Gotham against each other just to show that humanity is selfish, that in the end, all we really care about is ourselves. Villanous? Sure, but you have to admit the character is making a point. This guy who killed 12 people in the theater, what point was he trying to make? By telling the police he was The Joker, he’s saying that he saw himself as a villain trying to make a point. Was he commenting on societies obsession with movies and entertainment? Was he saying films blind us from reality? That we are not living our lives and instead we are wasting it in a movie theater? 


If that was his point, then he was wrong. Sure Hollywood can be shallow and is often times filled with empty spectacles, but The Dark Knight Rises was not one of those films. This film had a lot to say, it is in my humble opinion a very important film. Same as The Dark Knight, The Dark Knight Rises says a lot about the way the world is NOW. Thematically speaking, The Dark Knight Rises is all about the class war, a very heated topic these days, considering how middle class in the world is quickly fading away. Currently, you are either ridiculously rich or obscenely poor and that’s the way the powerful like it. Through the dynamics between Batman and Bane the film speaks about the struggles of the working class, the oppressed and the ever going hatred for the dudes running Wall Street. The status quo of the world today shows us that it’s true, a part of humanity is selfish instead of giving. It thinks only of itself and not of the needy, the less fortunate. Sadly, the rich and powerful are not currently thinking about making this world a better place for everyone, they think about making it a better place for them, and how those who have less then them can serve them. These are the themes that The Dark Knight Rises tackles with great precision and assuredness. This film knows what it wants to talk about, and it says it very clearly, through its villain, Bane. So this isn’t just any stupid little comic book film, nope, this film is bombastic, epic; a mesmerizing film that  has important issues to adress.


Christopher Nolan in my opinion has made his best film to date with The Dark Knight Rises. Technically speaking, his films have always been top notch and this one is no exception, but what I loved the most about The Dark Knight Rises is how fleshed out the characters are. I was missing the time when great villains dominated a film, Jack Nicholson and Heath Ledger are good examples of the kind of performance I like to see from a villain in a film; and I have to thank Nolan for making that special effort to build these memorable villains. Case in point: Tom Hardy’s Bane can now proudly stand next all those great villains of cinematic history. We hardly see Tom Hardy’s face in this film, save for a small flashback scene, his face remains hidden behind a mask for 99% of the films running time, yet Hardy’s performance shines through none the less. The character itself is extremely fleshed out, his back story is a very satisfying one. As a comic book fan, I was particularly thrilled to see moments from the storylines Knightfall, Knights End and No Mans Land on the screen.

DC Comics Batman # 497, one of the comics that inspired the storyline for The Dark Knight Rises. 

This is the third time Christian Bale has played Batman, I enjoyed how this time around he is a beaten, reclusive character, hiding away from the world in his mansion, like Mr. Kane in Orson Welle’s Citizen Kane (1941), the rich old guy who doesn’t want to answer to the world outside. It was great of the filmmakers to use the Bruce Wayne character to criticize the rich and powerful. If you have so much power, so much money, why not do something worthwhile with it, something that will improve humanity and the world we live in? Loved it how the movie tackled those themes through Bruce Wayne. It was a very intelligent move on the filmmaker’s side to comment on classist issues with the character, considering how the rich are viewed by the working class that’s struggling to get by on a day to day basis in this greedy world we live in. Anne Hathaway as Catwoman was somewhere between sexy and deadly, but nothing as overtly sexualized as Michelle Pfeiffer’s take on the character in Batman Returns (1992). The rest of the amazing cast does an amazing job, Michael Caine turns in an emotional performance on this one.


On the fun side of things the film delivers in spades. It was great to see a film that balanced action set pieces with story development so well; this really is a well though out picture, Mr. Nolan went up a couple of notches in my book with this one. Where the first two Nolan Bat films seemed a little on the talky side, this one balances fleshing out its characters and wowing us with amazing action and visual effects to perfection; kudos to Nolan for achieving that so well. So that’s it ladies and gents, I say don’t let the whole shooting thing scare you from seeing this one. It truly is a great film that touches up on important themes. This is an event picture, the kind you want to go to the theater to celebrate the fun of watching movies; don’t let the isolated incident with the crazy kook scare you out of that my friends! There was a special kind of electricity in the theater before and after the film started, people were genuinely excited to see this one. From what I can gather and from the resounding round of applause that I heard after the film was over, this one has won audience approval. The momentum these films have captured since the first film premiered has exploded on the screen with The Dark Knight Rises, the final film in Christopher Nolan’s Bat Saga; don’t let what that psycho did in Colorado scare you away from enjoying this awesome film.

Rating: 5 out of 5 





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