Showing posts with label Harmony Korine. Show all posts
Showing posts with label Harmony Korine. Show all posts

Thursday, November 7, 2013

Spring Breakers (2012)


Title: Spring Breakers (2013)

Director: Harmony Korine

Cast: James Franco, Selena Gomez, Vanessa Hudgens, Ashley Benson, Rachel Corine

Watching a Harmony Korine film can be a grueling experience, don’t know how many of you out there have seen Korine’s first film Gummo (1997), but it is such a raw and crude film that it can prove to be too much for some people. But then, the thing about Korine’s films is that most of the time they mix the real with the fictional until the lines blur and you don’t know which one is which. There’s lots of improvisation to his films, magical moments are provoked and end up happening in front of the camera, take for example a scene in which one of the girls puts a gun in James Franco’s mouth and he begins to start giving the gun a blow job. That scene was improvised! On Gummo we meet these two hill billy teenagers whom we follow through a day in their life, in their neighborhood. Man, let me tell ya, you never saw America look so ugly! You know how most films will film in these squeaky clean beautiful locations? Well, not Korine, for Gummo he went to the ugliest, scummiest parts of America to capture a side of American life you probably don’t want to see. Which is why Korine’s latest, Spring Breakers,  surprised me a bit. I mean, first thing I thought when I heard about this movie having girls in bikini from beginning to end was how Korine had sold out! I was like, damn, he finally broke down and did a commercial film! Which is like the furthest thing on my mind when I think of an ateur like Korine, but there it is. Spring Breakers. A "commercial film" that made its budget back more than three times over!


Spring Breakers is all about these four girls who are bored of college and want to have fun, they are ready to cut loose and live life to the fullest; squeeze it for all it’s worth. Basically they want to fulfill every hedonistic desire they can think of. So they do what any penniless college girls would do, they rob a restaurant, take the money and run. For a while, their plan works, but then things take a turn towards the dark side. Will they end up living the American Dream or the American Nightmare?


Spring Breakers was a confusing film for me because the marketing made it look like one of those dumb movies about young kids partying like animals, you know, like Project X (2012) 21 & Over (2013). I personally don’t like these types of movies;  don’t know why, I guess they feel overtly stupid to me somehow. So I kind of let Spring Breakers slip by me because of this preconception of the type of movie it might be. But deep down inside I thought to myself that Harmony Korine was not the kind of guy who’d sell out like that. I mean, his movies were always so shocking, like a solid punch to your gut! They  aren’t pretty things, they focus on the dark side of humanity. Some of his films, like for example Mister Lonely (2007) are incredibly surrealistic, feeling like something Alejandro Jodorowsky might have directed. So yeah, it surprised me then that Korine was suddenly doing this movie filled with sunsets and beaches and beautiful people in bikinis. So was Korine betraying himself with Spring Breakers? I get what he did here. Korine's films never made money. They were always art house films deemed too shocking or weird for mass consumption, but you know how the movie world is; directors have to walk that fine line between making art and making money if they want to stay in the game. And so girls in flourescent bikinis was a smart move on Korine's part; yes my friends, sex will always sell. But did Korine sell out all the way? Hell no!  


The deal with Spring Breakers is that from a distance, it looks like your typical party film about young people getting drunk and doing stupid things. And for a while, this movie is about that. These girls go into the heart of Spring Break in Florida and go all out, they smoke their weed, do their coke, have sex like maniacs, basically these girls party like animals, but like most films about excess, there’s the dark side. The side where life shows you that going over board has its limits and that having your brain on stupid mode for so long will blind you to the consequences of your actions. I liked how the film starts out in a beautiful place and slowly descends into a very dark place. We are talking about young girls who like the dangerous side of life, they like to test their limits, they want to see how far they can go without getting in trouble. Hell, these girls are described as having “demon blood” in their veins! It’s no wonder they end up being soul mates with ‘Alien’ the drug dealing character played by James Franco.


And speaking of James Franco, wow, what a performance. I have to say the guy really surprised me with this one. I mean, I’ve always admired his work but honestly? To me this is his best performance yet, he really created a character here. When the girls fall into Aliens hands, you worry for their safety. Alien exudes true evil, they kind of evil that comes from a person who understands the hypnotic influence of words, money and power! He brought to mind a similar character played by Gary Oldman in Tony Scott’s True Romance (1993), remember that one? The crazy white pimp who thought he was black? Alien has this out of control quality to him that’s scary, but also get the vibe that the guy is smart, he knows what to say and how to say it, especially to impressionable young girls. So be ready for a bravura performance, I wouldn’t be surprised if he gets a nomination come Oscar time! In embodies his character so well it reminded me of the Daniel Day Lewis transforming performance in Martin Scorsese’s  Gangs of New York (2002). This is the kind of performance that an actor gets lost into. There’s some controversy concerning this character because supposedly, James Franco based his character on a real life rapper called Riff Raff? The full story is that Korine offered this role to Riff Raff, who turned down the role, so then it went to Franco. So the movie comes out and Riff Raff decides to sue Korine for 10 million dollars because he feels the character is based on him. Franco says no way, the character is based on another rapper called ‘Dangerous’. Controversy aside, the performance is phenomenal, not to be missed.


Sometimes you watch a movie and suddenly you know you’re watching one of the best movies of the year, and this is what happened to me with Spring Breakers. After a while I was just being floored away by this movie. The visuals are amazing, the party scenes were filmed with gusto, they don’t feel staged, they have that realism that I’ve come to expect from a Korine film, I’m sure they just filmed a real life party, you get the feeling things are unfolding in front of the camera naturally. Then there are the colors of the film which are intoxicating! Korine did things with fluorescent colors all throughout the film; the colors on this movie are loud and beautiful to look at. Kudo’s to Korine for trying something different, sometimes his films are so gritty and real, so harsh, but this one feels like some feverish drug addled dream; a different color from every pill taken in the film. The first few scenes filmed in St. Petersburg Florida look amazing, they make you want to pack up your bags on go on “Spring Break Forever”. Korine also did this great thing where he plays with images and dialog, to the point where they collide, juggling the two and making this interesting mix of dialog taking over the images and vice versa, loved that. Spring Breakers is a Korine film masqueraded as a commercial film, it’s the film that Oliver Stone’s Savages (2012) should have been, it has that edge that Savages was desperately in need of. Everyone talks about this one as “the movie with the four girls in bikini from beginning to end” and you might make the same mistake I did, mistaking it for a stupid movie, well, let me tell ya, it isn’t. This movie might just knock your socks off and become one of your favorite movies of the year.


Rating: 5 out of 5   


Friday, June 4, 2010

#1 of the Top Five Bizarro Films Countdown!


The Celluloid Highway's # 1 Bizarro Film: EVEN DWARFS STARTED SMALL (Werner Herzog, West Germany, 1970)

The films of Werner Herzog (both fiction and non-fiction) abound with strange and surreal imagery (usually involving animals) that it is hard to imagine any list of weird or bizarre movies without an entry for this very idiosyncratic Bavarian filmmaker. Although he remade the silent expressionistic horror classic Nosferatu in 1979, it is this his second feature film that most effectively approximates the disorder, anarchy and sense of unease of horror. That few films within the horror genre itself succeed in this is a testament to the difficulty of pulling off such a feat. Herzog partially succeeds through the casting - this is a film in which every part is played by those suffering from dwarfism. This immediately situates us in territory that is unusual - with the ever present spectre of possible exploitation making this a very unsafe and troubling viewing experience. Herzog’s first feature film Signs of Life (1968) had received much critical acclaim on the festival circuit (even managing to secure the Silver Bear at the Berlin International Film Awards) so few would have been prepared for this peculiar comedy of manners with the oppressive atmosphere of slowly encroaching horror. The film is set in an unnamed institution that has the feel of a correctional facility. No explanation is given as to why the inhabitants are there, and very little is offered as to why they suddenly decided to rebel against the authority of the institution. The important thing is that they do rebel - because this is an allegory of liberation, and easily one of the most overtly political statements Herzog has ever made. That there is no overpowering evidence that the inhabitants are oppressed only adds to the disturbing ways in which the rebellion manifests itself. Before long this particular act of insurgence is perverted and becomes depraved and chaotic. A crucified monkey offers a disconcerting image of religious symbolism toward the end, and the kneeling camel is equally disquieting. Herzog’s passion for circularity is in evidence as a car goes round and round in circles offering a bleak statement on the futility of the behaviour we are seeing. This is all married to weird ethnic and tribal music, black and white cinematography, and the desolate volcanic landscape of Lanzarote (it appears here long before this became a popular tourist destination). This film is very hard work indeed. Its weirdness is palpable from the outset, but should you persevere and reach the end credits you’ll have experienced a profound but challenging essay on prejudice, difference, tolerance and a gloomy fable about the various political rebellions in the world at the time.


The Film Connoisseur’s #1 Bizarro Film: GUMMO (Harmony Korine, U.S.A., 1997)

It’s interesting that a lot of the films we’ve mentioned on this countdown have had some similarities in them. One of them is that films of this nature almost never subscribe to the tired and true linear way telling a film. These filmmaker’s are rebellious in nature, rejecting the common way in which things are done. This is partially the reason why I love these kinds of films. They break the norm, go against the rules and do things in an entirely different way. Gummo, my #1 Bizarro film is this kind of film. It’s episodic in nature, and feels so real that you don’t feel like you are watching actors or a traditional movie at all. You feel like you are watching, ugly, real life. Harmony Korine’s Gummo is about young kids trying to survive in a suburban white thrash nightmare. People on this film are living in the most poverty stricken conditions you can imagine! Korine’s film garnered a lot of criticism because it showed these characters doing truly insane things under the nastiest, ugliest most inhuman conditions. Yet, this is precisely the reason why I admire this film so much. I mean, why hide this type of thing from the world? These kinds of people exist in the U.S.A. These kinds of neighborhoods are out there in Middle America. Some might choose to ignore this fact, like an ugly family secret, but me, I’m all about exposing the truth about things, making people wake up! The interesting part about this movie is that director Harmony Korine opted to film in a real poor neighborhood in Nashville Tennessee; and he chose real people to appear in the film. Only three real actors were used in the making of the film (Including Korines then girlfriend Chloe Sevigny) , the rest are real people from his home town. As a result of this most of the situations you see in Gummo are not scripted or even rehearsed, so they feel more genuine. This is the kind of film that makes you wonder if what you are seeing was scripted or if it really happened on camera. The answer is that it’s a mix of both. Sometimes Korine would just let the cameras role and let the magic happen right in front of them. I admire Korine for this because when you watch Gummo, you never wonder off or get bored, you remain glued to the screen for its whole duration. You know what they say: “sometimes truth is stranger than fiction” and this is precisely the case with Gummo. A lot (and I do mean a lot) of what you see on screen is improvised. These are real people, talking real things. Korine wanted to capture poverty and mental instability in its purest form, and I honestly think he succeeded. The characters in Gummo live under such dire conditions that they end up doing the strangest things, like hunting cats to sell them to a local restaurant, spending their money on sniffing glue. These characters are not characters with clear cut moral values, these are individuals with problems, individuals willing to do anything to survive. This is the kind of film that people actually walked out of during its presentation on the Telluride Film Festival. Apparently, people can’t take the truth! It is a sad world we live in when a film that is sincere and truthful, is rejected. Yes the film touches some very strong themes, but hey, that’s life, and life isn’t always pretty. Aside from all these ugly truths that the film exposes, the film is so visually interesting! There is beauty amongst all the filth and violence. The colors, the look of the characters, the dialog, you can tell a talented filmmaker is behind the camera orchestrating everything. It is that kind of movie that is both repulsive and beautiful to look at. It will most likely get an immediate response out of you. It isn’t concerned with pleasing anybody, it simply wants to show life the way it is. Gummo defies you to accept that. It is shocking, it is ugly, but it’s honest at heart.


Well, thats it boys and girls. I hope you have enjoyed this countdown. It wasnt easy coming up with top five bizarre movies, and a lot of films were left out, but rest assured, another blog post on "bizarre films" will appear soon that speaks about all the other films that were left out. Films were left out not because they werent bizarre or good, but just because there are so many good ones! So look out for that future post. 

This countdown was done in collaboration with Shaun Aunderson's excellent film review blog The Celluloid Highway, dont forget to visit his blog and check it out, its worth it! Also, I want to thank Shaun for participating on these countdowns which I personally find extremely fun and informative. Thanks Shaun! And thanks to all those who commented on our choices and offered up some suggestions of their own.

For part 2 of the Top Five Bizarro Films Countdown CLICK HERE!

GummoEven Dwarfs Started Small

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