Title: Nineteen Eighty-Four (1984)
Director: Michael Radford
Cast: John Hurt, Suzanna Hamilton, Richard Burton
Review:
1984 remains a monumental piece of literature that everyone should
read at least once in their lives. For those who haven’t had the experience of
reading George Orwell’s 1984 I’ll give you the lowdown. This was a novel
written way back in 1949 as a cautionary tale; a “what if” of what could happen
to our collective and individual freedoms should a totalitarian government
arise. This was Orwell looking into the future and seeing a very grim, cold and
impersonal society. Oceania is a society
devoid of emotions, individuality and freedom. In this future, everyone dresses
the same colors, children rat out their parents should they betray the
government and big brother (read: the government) is always watching you, they
know what your saying, they know what your doing, they are in your home, Big Brother dominates the lives of the people of Oceania. Be it through the huge
television screen that everyone has in their homes, or by hidden cameras and
microphones, Big Brother knows. In this future there is such a thing as a ‘thought
crime’ and a government ruled organization created to deal with them called the
‘thought police’. Basically, in this world, you are not allowed to speak your
mind, oh and sex is a crime, you can only have sex if you are married and even
then, it’s to have children; not for pleasure. 1984 was a novel written to warn
us of what we should never allow our countries or governments to become. Sad
part is that many of the things that happen in this novel and are meant to be
considered horrid abuses of human rights are actively happening in our modern world.
Mind control at full force!
Over the years, Orwell’s book has proven to be prophetic. How
is Orwell’s novel slowly becoming a reality? Let’s see, we can start by
mentioning that ‘Big Brother’ is watching over us all the time. We do have
video cameras constantly surveying us, watching us, documenting our behavior. We
have devices that can pinpoint our exact location. We all have huge television
screens in our homes (they get bigger every year) which the media uses to
manipulate public opinion. Many news channels display the faces of the current
political enemies and make the masses hate and despise them, same as the ‘two
minutes of hate’ that appear in the book and film. These two minutes of hate
are two minutes in which political enemies of Oceania
are displayed by the government on huge screens so that the proletariat (the
working class) can scream and hate them. At one moment Winston says “There is truth and
there is untruth, to be in the minority of one does not make you mad” a
statement that makes perfect sense in this world we live in; by this I mean
that in our society, whenever you think differently for example by not being
patriotic or not believing in god or
religion, well, then to the rest of society your just a nut job, a loon. The
idea behind this statement is that just because you are in the minority does
not mean you are wrong. Sadly, this is what happens in the world we live in, if
you’re not thinking with the collective then you’re a conspiracy nut, or a
crazy.
Even though we live in a slightly ‘liberal’ society, sex
before marriage is still frowned upon by the grand majority of the population;
the desire to have sex is something that comes naturally from within us, yet
religions seek to dampen our sexualities, demonize them by calling sex before
marriage a ‘sin’ same as in the world of 1984 where sex is a crime! The beautiful thing about 1984 is that the
love that Winston and Julia develop for each other is genuine; they truly do
love each other. They enjoy each others warmth and company, where pray tell is
the crime in that? Same as in Bernardo Bertolucci’s The Dreamers (1999), sex can become
the ultimate act of revolution, the ultimate expression of freedom; it’s the
one thing that the system cannot take away from you, the love, the affection,
the warmth. In other words, the things that makes us human. And remaining human
is a big part of 1984, it’s at the very core of it. Winston himself says it: “It’s
not so much about staying alive, it’s staying human that’s important. What
count’s is that we don’t betray each other.” “If they can make me change my
feelings, if they can stop me from loving you, that would be betrayal” to which
Julia answers: “They can’t do that. It’s the one thing they can’t do. They can
torture you, they can make you say anything, but they can’t make you believe
it. They can’t get inside you. They can’t get to your heart”
Amongst other themes the film plays with, Nineteen Eighty
Four is primarily about being able to speak your mind and say the truth about
things, it’s about freedom of the mind, of being able to tell it like it is. To
say that 2 + 2 = 4 and not 5. It’s about the ability to have control over your
own mind, to say what you want to say without fear. Are we living in a world in
which you can do that? Because if we’re not, then we’re living in Orwell’s
nightmarish totalitarian future, and it’s come true. But then again if this is
what is actually happening, and we’re living the nightmare, way back in 1949,
Orwell knew it would happen. He said it with his novel. He’d seen the future
and he knew what it was going to be like. “If you want a vision of the future,
Winston, imagine a boot stamping on a human face, forever” That line of dialog
is so gut wrenching, yet so true. How many times have we not seen government
stomping, no worse, killing, murdering their people? So yeah, 1984 was prophetic
in deed.
The film itself is a marvelous adaptation of Orwell’s book.
It captures the essence, the mood and the overall vibe that Orwell created in
his masterwork. The film has a slightly decolorized look to it, reflecting the
dreary lives and world in which these characters live in. John Hurt perfectly
embodies Winston Smith, the epitome of the blue collar worker, working day by
day to pay his way in life, which isn’t much of a life. It’s boring and
redundant, so much so that he thirsts desperately for something more; he hates
what his life has become. He wants passion and freedom; two things that can
make anyone feel alive. Richard Burton did his last film performance here, he
died before the film was premiered, but his portrayal of O’Brien, the
government operative, is chilling and memorable one, so cold, so robotic. Between
film and book there are very few differences…some moments from the book where
left out and I do feel that the ending was a bit more grueling in the book, but
the film gets its points across as well, just not as detailed and extended as
in the book. Still, I’d say that this is an excellent adaptation, which is
something that rarely happens in the book to film transition.
So folks, we’re talking about an important book and film
here, I highly recommend everyone out there to read the book and then see this film. It’s one of my favorite
books, it actually brought me to tears while reading it, its that good. Not
many books have that effect on me, but this one really got to me. How
influential is this novel in the film world? Well, I can mention some of the films
that were influenced by it for example: V for Vendetta (2005), Brazil (1985),
Equilibrium (2002) and THX-1138 (1971) to mention but a few. For more on films of this nature, check out this article I wrote a while back called Totalitarian Futures (Big Brother is Watching You!) In the end, though Nineteen Eighty-Four is sad and
torturous to watch at points because of how strongly we feel the systems boot stomping
on humanities face, the film does have an inspiring message. That evil will
fail, that humanity will prevail, someway, somehow, goodness will win in the
end, let’s hope that Orwell's novel was equally prophetic with these words as well.
Rating for both the book and the film: 5 out of 5
Cracking film and book. I think Orwell would be proud of what it has accomplished over the years. A person just has to say the words "Big Brother" or "1984" and everyone knows what they are talking about.
ReplyDeleteDon't know if you could ever do a "perfect" adaptation of the book but this one was appropriately bleak and sobering tone/look. Hurt was a great choice for Smith. So fragile and withered.
Can't say I will watch this movie over and over again (I've probably only seen it twice) but the images have stuck with me for decades.
Exactly Jack, I'm so glad 1984 has become such a part of popular culture, the fact that most people know where the phrase "Big Brother" comes from let's us know the novel will be around forever.
ReplyDeleteI loved Hurt's performance as well, those scenes where he is being tortured...wowzers!
Agree, it's a tough movie to watch, same as you, I've only seen it twice. Once right after I read the book a couple of years ago and now cause I found it on Netflix streaming.
I saw this film when I was young and in the theatre. Glad to see you take a look at it.
ReplyDeleteI may need to revisit the picture because I'm sure I would appreciate it far differently today.
When I was young it felt slow and labored, but, well, I was young.
I was and remain a huge fan of John Hurt and would love to see this one again. Great coverage Fran!
By the way, really cool moment. I was in Ireland in the 1990s and I was at this little fish and chip shop on the coast in County Cork and I was sitting at the table eating when lo and behold John Hurt sat down at the table next to me. He was with another fellow and a boy and I didn't have the nerve to say hello, but I was just in awe.
Later that night I was at a pub in Ballycotton and he was there surrounded by a few babes. Once again, I was drinking lager just feet away from Hurt. He was apparently in the area filming. Word on the street was he was making a film with Brando and Depp but that film never came to pass.
Yeah, this movie deals with adult themes, for a kid, it must have felt boring. This is a very cerebral film, it's main pull for me is the issues it addresses, but I must say that I love the dreary, lifeless look the film has.
ReplyDeleteThanks for sharing your story Gordon, that must have been cool. John Hurt is truly great, my favorite performance of his is from Lynch's The Elephant Man, so moving.
The closest I've been to a hollywood star was having Elsa Pataki right next to me while they were shooting Fast Five here in Puerto Rico.
Unfortunately, I didn't even know it was her next to me until much later when I had left. I noticed this short woman next to me, next to her an important looking lady producer yapping on the phone about wrapping up the shoot. Next to this producer, I noticed this short attractive woman wearing glasses and a cap to cover her face. I was immediately suspicious that she might be Michelle Rodriguez...but it was Pataki. Her facial birthmark gave her away. It wasn't until I saw the movie in theaters that I realized it was her standing shoulder to shoulder with me the whole time!
Nice story and you gotta love those wild moments. Just surreal.
ReplyDeleteElephant Man, another one I never fully appreciated as a young man but was truly moved by and broken hearted by. Great one.
You have forced me onto a John Hurt hunt between your coverage here and my recent viewing of Alien.
How about The Osterman Weekend? oooh.
I need to watch The Osterman Weekend! Maybe it's time to go on a John Hurt watch a thon!
ReplyDeleteYou are right. We must.
ReplyDeleteAlso, and I know you know this, but just to mention it, of course John Hurt does a role reversal from his part in 1984 to his role in V For Vendetta to juxtapose the irony and the versatility of this amazing actor.
I have to get Midnight Express as well. Oh, love the big Hurt! : )
Midnight Express, now there's a shocking and impactful film for ya! The first time I saw it I was like...wow...what a movie! I certainly need to re-watch it.
ReplyDeleteYeah, I noticed that in V for Vendetta suddenly he is big brother, nice inside joke there!
Of course, we can't forget that awesome scene he has in Alien..the chest bursting scene is still show stopper; and then he went and made fun of himself by spoofing that very scene (himself!) in Mel Brook's Spaceballs; one of my favorite of Mel Brook's films, still makes me laugh.